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In addition to painting, Warhol made several 16mm films, which have become underground classics such as Chelsea Girls, Empire and Blow Job. In 1968, Valerie Solanis, founder and sole member of SCUM (Society for Cutting Up Men) walked into Warhol's studio, known as the Factory, and shot the artist. The attack was nearly fatal.\n\nAt the start of the 1970s, Warhol began publishing Interview magazine and renewed his focus on painting. Works created in this decade include Maos, Skulls, Hammer and Sickles, Torsos and Shadows and many commissioned portraits. Warhol also published The Philosophy of Andy Warhol (from A to B and Back Again). Firmly established as a major 20th-century artist and international celebrity, Warhol exhibited his work extensively in museums and galleries around the world.\n\nThe artist began the 1980s with the publication of POPism: The Warhol '60s and with exhibitions of Portraits of Jews of the Twentieth Century and the Retrospectives and Reversal series. 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Works created in this decade include Maos, Skulls, Hammer and Sickles, Torsos and Shadows and many commissioned portraits. Warhol also published The Philosophy of Andy Warhol (from A to B and Back Again). Firmly established as a major 20th-century artist and international celebrity, Warhol exhibited his work extensively in museums and galleries around the world.\n\nThe artist began the 1980s with the publication of POPism: The Warhol '60s and with exhibitions of Portraits of Jews of the Twentieth Century and the Retrospectives and Reversal series. He also created two cable television shows, \"Andy Warhol's TV\" in 1982 and \"Andy Warhol's Fifteen Minutes\" for MTV in 1986. His paintings from the 1980s include The Last Suppers, Rorschachs and, in a return to his first great theme of Pop, a series called Ads. 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In the mid- 1960s, Finkelstein became a vital collaborator among Andy Warhol's Factory, serving as the in-house media. His intimate and intense photographs of the legendary Silver Factory scene (including Warhol, the Velvet Underground, Edie Sedgwick, and visitors including Bob Dylan and Marcel Duchamp) are now recognized among the most iconic images of the era. While best known for his images of Warhol’s Factory, Finkelstein documented stories as wide ranging as civil rights protests for LIFE Magazine, to post-punk New York City, to the international club kid scene of the 1990s. 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