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An eccentric and masterful Surrealist in painting and in life, Dali wrote in his diary two years before entering art school in Madrid during the early 1920s: \"Perhaps I’ll be despised and misunderstood, . . . but I’ll be a great genius.\" Throughout his life, Dali cultivated eccentricity and a predisposition towards narcissistic exhibitionism, claiming that his creative energies were derived from it. The spectrum of imagery from fantastic to nightmarish visions which Dali produced are the supreme evidence of these idiosyncrasies. Born in Figueras, Spain, Dali first studied at the École des Beaux Arts in Madrid and was influenced by metaphysical painters de Chirico and Carrà while there. Equally admiring the meticulous realism of the Pre-Raphaelites and French 19th century painters, he began to blend conceptual styles and techniques. Beginning in 1927, Dali exhibited in Madrid and Barcelona, earning a reputation for being one of the most promising younger painters. A visit to Paris in 1928 brought him into contact with Picasso and the Surrealists: Miró, Masson, Ernst, Tanguy and André Breton. Shortly thereafter he became a leading figure of the Surrealist movement. In 1941 he had his first retrospective at The Museum of Modern Art, New York. 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His works portray scenes of African American life and history with vivid, stylized realism. Gouache and tempera were Lawrence's characteristic media. His use of sombre browns and black for shadows and outlines in an otherwise vibrant palette lent his work a distinctive overtone. His best-known works are his series on historical and social themes, such as Life in Harlem (1942) and War (1947). His later works include a powerful series on the struggles of desegregation. 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At seventeen, he began an apprenticeship in Andrea Verrocchio’s workshop, remaining there until he had far surpassed the talents of the early Renaissance master. Leonardo then left Florence for the court of Ludovico Sforza in Milan, where he painted portraits, created The Last Supper fresco, and also started producing anatomical, botanical, and scientific sketches. Excited by the artistic renaissance occurring in Florence, Leonardo returned to that city and created his masterpieces - the Mona Lisa and Leda and the Swan (now lost).\r\rAlthough many of Leonardo’s commissions were never completed and several experimental frescoes no longer exist, extensive volumes of his experimental procedures, sketches, and theories have survived, some discovered only in the twentieth century. 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The stylized graphics and decorative costumes of the figures in his prints add a touch of nostalgia to a wall. Grouped along with the prints of Cheret and Toulouse-Lautrec, you can give a room the feeling of a Parisian cafe easily.\r\rSteinlen often used his wife, child, and family cats as models to create images with a certain intimacy, which differ from fellow illustrator Toulouse-Lautrec's cold, harsh depictions of cabaret life. Steinlen's illustrations have a personal, intimate style that evince a concern for humanitarian issues.\r\rBorn in Switzerland Steinlen studied philosophy at the University of Lausanne, which engendered an interest in socialist causes. The artist moved to Paris in 1881 and was introduced to the avant-garde literary and artistic world of the Chat Noir cabaret. There he mingled with the illustrator Adolphe Willete, the singer\/songwriter Aristide Bruant, and the idiosynchratic Toulouse-Lautrec. 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During a stay in France in 1866, he was attracted to French naturalism and Japanese prints, but they had little effect on his generally bright and happy work. He became a master of watercolour and his ability as an oil painter matured; he focused increasingly on solitary, withdrawn figures. He spent 1881 – 82 in the English village of Tynemouth, on the North Sea, where the coastal atmosphere, the sea, and the stoic people are the subjects of some of his most powerful images. In 1883 he moved permanently to Prouts Neck, and his dominant theme became the sea and the endless struggle against an uncaring nature. In his later years he continued to paint vigorously and in near-total isolation. 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His later works, particularly his formal figure paintings of women, show a more disciplined approach and a break from contemporary themes to more timeless subjects.\r\rIn 1862, he entered the studio of Gleyre and formed lasting friendships with other Impressionists, particularly Claude Monet. He endured much hardship early in his career but achieved success as a portraitist in the late 1870s. After visiting Italy in 1881-82, he abandoned the Impressionist ideal and developed a softer and more supple kind of handling which is evident in his pictures of young girls in softly colored settings.\r\rHe is perhaps the best-loved of all the Impressionists for his cheerful subject matter - pretty children, flowers, lovely women - and their instant appeal. He once wrote, \"Why shouldn’t art be pretty? 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Appropriately, it is one of his pictures, Impression: Sunrise, which gave the group of artists painting in this style its name.\r\rBorn in Paris, Monet attended L’Academie Suisse from 1859-60 and subsequently enrolled in the studio of Glenyre, where he met Renoir and Sisley, with whom he formed the nucleus of the Impressionist group. He organized the first Impressionist exhibit in 1874 and became the group’s leader, initiator and unswerving advocate. Monet moved to Giverny in 1883, planting the extensive gardens and lily ponds that would provide the inspiration for his later works.\r\rFrom 1890 he concentrated on a series of pictures in which he painted the same subject at different times of the day in different light. The most popular of these are the Haystacks and Rouen Cathedral series. He continued to travel widely, visiting London and Venice several times, yet increasingly he focused his attention on Giverny. 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He currently teaches at Saint-Luc in Brussels, and fills his free time with drawing, painting, and running the blog: jazzanddraw.com.\r","brand":"Philippe Debongnie","offers":[{"title":"12x8 image on 14x11 Paper","offer_id":26399824257,"sku":"D2541pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"18x12 image on 19x13 Paper","offer_id":26399824321,"sku":"D2541sf","price":20.0,"currency_code":"USD","in_stock":true},{"title":"21x14 image on 23x16 Paper","offer_id":26399824385,"sku":"D2541-3P","price":30.0,"currency_code":"USD","in_stock":true},{"title":"24x16 image on 26x18 Paper","offer_id":26399824449,"sku":"D2541-4P","price":35.0,"currency_code":"USD","in_stock":true},{"title":"30x20 image on 32x22 Paper","offer_id":26399824513,"sku":"D2541-5P","price":50.0,"currency_code":"USD","in_stock":true},{"title":"36x24 image on 38x26 Paper","offer_id":26399824577,"sku":"D2541-6P","price":85.0,"currency_code":"USD","in_stock":true},{"title":"45x30 image on 47x32 Paper","offer_id":26399824641,"sku":"D2541-7P","price":125.0,"currency_code":"USD","in_stock":true},{"title":"54x36 image on 56x38 Paper","offer_id":26399824705,"sku":"D2541-8P","price":190.0,"currency_code":"USD","in_stock":true},{"title":"66x44 image on 68x46 Paper","offer_id":26399824769,"sku":"D2541-9P","price":220.0,"currency_code":"USD","in_stock":true},{"title":"12x8 image on 16x12 Giclée Paper","offer_id":26399824833,"sku":"D2541-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"18x12 image on 22x16 Giclée Paper","offer_id":26399824961,"sku":"D2541-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"21x14 image on 25x18 Giclée Paper","offer_id":26399825025,"sku":"D2541-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"24x16 image on 28x20 Giclée Paper","offer_id":26399825089,"sku":"D2541-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"30x20 image on 34x24 Giclée Paper","offer_id":26399825153,"sku":"D2541-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"36x24 image on 40x28 Giclée Paper","offer_id":26399825217,"sku":"D2541-6G","price":192.0,"currency_code":"USD","in_stock":true},{"title":"45x30 image on 49x34 Giclée Paper","offer_id":26399825281,"sku":"D2541-7G","price":265.0,"currency_code":"USD","in_stock":true},{"title":"54x36 image on 58x40 Giclée Paper","offer_id":26399825345,"sku":"D2541-8G","price":390.0,"currency_code":"USD","in_stock":true},{"title":"66x44 image on 70x48 Giclée Paper","offer_id":26399825409,"sku":"D2541-9G","price":450.0,"currency_code":"USD","in_stock":true},{"title":"12x8 image on 16x12 Unstretched Canvas","offer_id":26399825473,"sku":"D2541-1C","price":30.0,"currency_code":"USD","in_stock":true},{"title":"18x12 image on 22x16 Unstretched Canvas","offer_id":26399825537,"sku":"D2541-2C","price":45.0,"currency_code":"USD","in_stock":true},{"title":"21x14 image on 25x18 Unstretched Canvas","offer_id":26399825601,"sku":"D2541-3C","price":60.0,"currency_code":"USD","in_stock":true},{"title":"24x16 image on 28x20 Unstretched Canvas","offer_id":26399825665,"sku":"D2541-4C","price":80.0,"currency_code":"USD","in_stock":true},{"title":"30x20 image on 34x24 Unstretched Canvas","offer_id":26399825729,"sku":"D2541-5C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"36x24 image on 40x28 Unstretched Canvas","offer_id":26399825793,"sku":"D2541-6C","price":160.0,"currency_code":"USD","in_stock":true},{"title":"45x30 image on 49x34 Unstretched Canvas","offer_id":26399825857,"sku":"D2541-7C","price":220.0,"currency_code":"USD","in_stock":true},{"title":"54x36 image on 58x40 Unstretched Canvas","offer_id":26399825921,"sku":"D2541-8C","price":325.0,"currency_code":"USD","in_stock":true},{"title":"66x44 image on 70x48 Unstretched Canvas","offer_id":26399825985,"sku":"D2541-9C","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/D2541_9efdda12-6339-47d8-8414-13ae7740d61c.jpg?v=1631555066"},{"product_id":"kara-smith-breaking-superstition","title":"Breaking Superstition","description":"Image © Kara Smith\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eKara Smith is an artist and educator living and working in the Berkshires. 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His Post-Impressionist work hauntingly conveyed through forceful color, aggressive brushwork and contoured forms, the anguish of a mental illness that eventually resulted in suicide.After failing in both his career and love life, van Gogh turned inward, pursuing a position in the ministry. In 1880, disenchanted with priesthood, he discovered art as his new mission. The artist's earliest works were scenes of peasant life, but after a trip to Paris in 1886, where he encountered the works of the Impressionists and the Japanese prints en vogue at the time, he dramatically transformed his style from darkly colored realism to vibrant expressionism.Inspired by the beauty of rural Arles, he moved there in 1888, but continued to struggle with nervous crisis and depression, and after one particularly severe episode, committed himself to an asylum at St. Remy. While hospitalized, he continued to paint and produced one of his most compelling works, The Starry Night. 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