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He worked primarily in watercolors and egg tempera and often used shades of brown and grey. He held his first one-man show of watercolors painted around the family’s summer home at Port Clyde, Maine in 1937. It was a great success that would lead to many more. Wyeth married Betsey James at the age of twenty-two and had two boys, Nicholas who became an art dealer, and James who became the third generation artist in his family. Andrew was featured on the cover of American Artist as well as many other famous magazines such as the Saturday Evening Post that displayed his painting \"The Hunter\". His first solo museum exhibition was presented in 1951 at the Farnsworth Art Museum. 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However, he explains, the real subject of my work is not the aging farm buildings, the rustic old mills or the antiqued crocks and jugs.  The real subject is their surfaces.  “I am intrigued by the texture of a crumbling stone wall, the splintered wood of an old wagon or the way the light reflects off a piece of hand-turned stoneware…the signs of wear and hard use.  How many stories they must have to tell”.  \rOver the years, Ray has developed a number of texturing methods to accurately depict these signs of aging.  He compiled many of them in a book titled, “Texture Techniques for Winning Watercolors”, published by Northlight and released in November of 1999 (now out of print).\rRay’s work has been published, as prints, by Primrose Press, Galaxy of Graphics, and most recently, by Bruce McGaw Graphics.  His work has appeared in many books and magazines such as Splash 3, Splash 4, Splash 9, Palette Talk, Bucks Country Magazine, County Line Magazine, American Artist, Artist’s Magazine and Chinese Watercolor, an art magazine published in Beijing, China.\rRay is represented by several galleries in southeastern Pennsylvania.  He is an elected signature member of the American Watercolor Society, The National Watercolor Society, The Pennsylvania Watercolor Society (also awarded Sylvan Grouse Guild member status of the society), The Philadelphia Watercolor Society (recipient of the Crest Award for continued excellence), and the International Society of Acrylic Painters.  He has been the recipient of many awards for his work in national and international exhibitions and has had numerous one-man shows.  He is listed in “Who’s Who in American Art”.  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Appropriately, it is one of his pictures, Impression: Sunrise, which gave the group of artists painting in this style its name.\r\rBorn in Paris, Monet attended L’Academie Suisse from 1859-60 and subsequently enrolled in the studio of Glenyre, where he met Renoir and Sisley, with whom he formed the nucleus of the Impressionist group. He organized the first Impressionist exhibit in 1874 and became the group’s leader, initiator and unswerving advocate. Monet moved to Giverny in 1883, planting the extensive gardens and lily ponds that would provide the inspiration for his later works.\r\rFrom 1890 he concentrated on a series of pictures in which he painted the same subject at different times of the day in different light. The most popular of these are the Haystacks and Rouen Cathedral series. He continued to travel widely, visiting London and Venice several times, yet increasingly he focused his attention on Giverny. 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His Post-Impressionist work hauntingly conveyed through forceful color, aggressive brushwork and contoured forms, the anguish of a mental illness that eventually resulted in suicide.After failing in both his career and love life, van Gogh turned inward, pursuing a position in the ministry. In 1880, disenchanted with priesthood, he discovered art as his new mission. The artist's earliest works were scenes of peasant life, but after a trip to Paris in 1886, where he encountered the works of the Impressionists and the Japanese prints en vogue at the time, he dramatically transformed his style from darkly colored realism to vibrant expressionism.Inspired by the beauty of rural Arles, he moved there in 1888, but continued to struggle with nervous crisis and depression, and after one particularly severe episode, committed himself to an asylum at St. Remy. While hospitalized, he continued to paint and produced one of his most compelling works, The Starry Night. 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His Post-Impressionist work hauntingly conveyed through forceful color, aggressive brushwork and contoured forms, the anguish of a mental illness that eventually resulted in suicide.After failing in both his career and love life, van Gogh turned inward, pursuing a position in the ministry. In 1880, disenchanted with priesthood, he discovered art as his new mission. The artist's earliest works were scenes of peasant life, but after a trip to Paris in 1886, where he encountered the works of the Impressionists and the Japanese prints en vogue at the time, he dramatically transformed his style from darkly colored realism to vibrant expressionism.Inspired by the beauty of rural Arles, he moved there in 1888, but continued to struggle with nervous crisis and depression, and after one particularly severe episode, committed himself to an asylum at St. Remy. While hospitalized, he continued to paint and produced one of his most compelling works, The Starry Night. 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July 22, 1882, Nyack, N.Y., U.S. — d. May 15, 1967, New York, N.Y.) was an American painter. He was initially trained as an illustrator but later studied painting with Robert Henri. In 1913 he exhibited in the Armory Show but spent much of his time on advertising art and illustrative etchings. In the mid 1920s he turned to watercolours and oil paintings of urban life. His House by the Railroad (1925) and Room in Brooklyn (1932) depict still, anonymous figures within geometric building forms, producing the haunting sense of isolation that was to be his hallmark. He used light to isolate figures and objects, as in Early Sunday Morning (1930) and Nighthawks (1942). 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Appropriately, it is one of his pictures, Impression: Sunrise, which gave the group of artists painting in this style its name.\r\rBorn in Paris, Monet attended L’Academie Suisse from 1859-60 and subsequently enrolled in the studio of Glenyre, where he met Renoir and Sisley, with whom he formed the nucleus of the Impressionist group. He organized the first Impressionist exhibit in 1874 and became the group’s leader, initiator and unswerving advocate. Monet moved to Giverny in 1883, planting the extensive gardens and lily ponds that would provide the inspiration for his later works.\r\rFrom 1890 he concentrated on a series of pictures in which he painted the same subject at different times of the day in different light. The most popular of these are the Haystacks and Rouen Cathedral series. He continued to travel widely, visiting London and Venice several times, yet increasingly he focused his attention on Giverny. 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However, he explains, the real subject of my work is not the aging farm buildings, the rustic old mills or the antiqued crocks and jugs.  The real subject is their surfaces.  “I am intrigued by the texture of a crumbling stone wall, the splintered wood of an old wagon or the way the light reflects off a piece of hand-turned stoneware…the signs of wear and hard use.  How many stories they must have to tell”.  \rOver the years, Ray has developed a number of texturing methods to accurately depict these signs of aging.  He compiled many of them in a book titled, “Texture Techniques for Winning Watercolors”, published by Northlight and released in November of 1999 (now out of print).\rRay’s work has been published, as prints, by Primrose Press, Galaxy of Graphics, and most recently, by Bruce McGaw Graphics.  His work has appeared in many books and magazines such as Splash 3, Splash 4, Splash 9, Palette Talk, Bucks Country Magazine, County Line Magazine, American Artist, Artist’s Magazine and Chinese Watercolor, an art magazine published in Beijing, China.\rRay is represented by several galleries in southeastern Pennsylvania.  He is an elected signature member of the American Watercolor Society, The National Watercolor Society, The Pennsylvania Watercolor Society (also awarded Sylvan Grouse Guild member status of the society), The Philadelphia Watercolor Society (recipient of the Crest Award for continued excellence), and the International Society of Acrylic Painters.  He has been the recipient of many awards for his work in national and international exhibitions and has had numerous one-man shows.  He is listed in “Who’s Who in American Art”.  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Ray is highly regarded for his detailed rural landscapes and antique still lifes.  However, he explains, the real subject of my work is not the aging farm buildings, the rustic old mills or the antiqued crocks and jugs.  The real subject is their surfaces.  “I am intrigued by the texture of a crumbling stone wall, the splintered wood of an old wagon or the way the light reflects off a piece of hand-turned stoneware…the signs of wear and hard use.  How many stories they must have to tell”.  \rOver the years, Ray has developed a number of texturing methods to accurately depict these signs of aging.  He compiled many of them in a book titled, “Texture Techniques for Winning Watercolors”, published by Northlight and released in November of 1999 (now out of print).\rRay’s work has been published, as prints, by Primrose Press, Galaxy of Graphics, and most recently, by Bruce McGaw Graphics.  His work has appeared in many books and magazines such as Splash 3, Splash 4, Splash 9, Palette Talk, Bucks Country Magazine, County Line Magazine, American Artist, Artist’s Magazine and Chinese Watercolor, an art magazine published in Beijing, China.\rRay is represented by several galleries in southeastern Pennsylvania.  He is an elected signature member of the American Watercolor Society, The National Watercolor Society, The Pennsylvania Watercolor Society (also awarded Sylvan Grouse Guild member status of the society), The Philadelphia Watercolor Society (recipient of the Crest Award for continued excellence), and the International Society of Acrylic Painters.  He has been the recipient of many awards for his work in national and international exhibitions and has had numerous one-man shows.  He is listed in “Who’s Who in American Art”.  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Her diverse exploration of art mediums for expression includes photography, oil painting, woodblock printing, etching, photogravure, palladium printing and collage. Erin has also created a new line of jewelry called Giggle Jewels. She has an intuitive feeling for form and a passion for color, choosing each medium for it’s unique characteristics.Erin is a native of New York, but her work is inspired by frequent world travel. She has lived in New York, Santa Fe and Africa, which have all greatly influenced her sense of color and form. Erin received her formal fine art education at S.U.N.Y. College at Purchase, NY and her graduate degree from Manhattanville College in New York. She has taught elementary, high school and college art programs and has a passion for the artwork created by all children. She is known to repaint the walls of her home and rearrange artwork and furniture often. 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The artist's earliest works were scenes of peasant life, but after a trip to Paris in 1886, where he encountered the works of the Impressionists and the Japanese prints en vogue at the time, he dramatically transformed his style from darkly colored realism to vibrant expressionism.Inspired by the beauty of rural Arles, he moved there in 1888, but continued to struggle with nervous crisis and depression, and after one particularly severe episode, committed himself to an asylum at St. Remy. While hospitalized, he continued to paint and produced one of his most compelling works, The Starry Night. 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Ray is highly regarded for his detailed rural landscapes and antique still lifes.  However, he explains, the real subject of my work is not the aging farm buildings, the rustic old mills or the antiqued crocks and jugs.  The real subject is their surfaces.  “I am intrigued by the texture of a crumbling stone wall, the splintered wood of an old wagon or the way the light reflects off a piece of hand-turned stoneware…the signs of wear and hard use.  How many stories they must have to tell”.  \rOver the years, Ray has developed a number of texturing methods to accurately depict these signs of aging.  He compiled many of them in a book titled, “Texture Techniques for Winning Watercolors”, published by Northlight and released in November of 1999 (now out of print).\rRay’s work has been published, as prints, by Primrose Press, Galaxy of Graphics, and most recently, by Bruce McGaw Graphics.  His work has appeared in many books and magazines such as Splash 3, Splash 4, Splash 9, Palette Talk, Bucks Country Magazine, County Line Magazine, American Artist, Artist’s Magazine and Chinese Watercolor, an art magazine published in Beijing, China.\rRay is represented by several galleries in southeastern Pennsylvania.  He is an elected signature member of the American Watercolor Society, The National Watercolor Society, The Pennsylvania Watercolor Society (also awarded Sylvan Grouse Guild member status of the society), The Philadelphia Watercolor Society (recipient of the Crest Award for continued excellence), and the International Society of Acrylic Painters.  He has been the recipient of many awards for his work in national and international exhibitions and has had numerous one-man shows.  He is listed in “Who’s Who in American Art”.  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