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He had numerous followers, though none had his power or versatility.\r","brand":"Katsushika Hokusai","offers":[{"title":"8x12 image on 11x14 Paper","offer_id":26366002625,"sku":"H2643pf","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/H2643.jpg?v=1628037282"},{"product_id":"vincent-van-gogh-flowering-plum-tree-after-hiroshige-1887","title":"Flowering Plum Tree (after Hiroshige), 1887","description":"Poster © 2026\n McGaw Graphics, Inc.\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eGenerally considered the greatest Dutch painter after Rembrandt, van Gogh's striking and exuberant paintings were all produced during a period of only ten years. 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He was especially revered for his landscapes depicting lyrical scenes of everyday life.Hiroshige was born in Edo (now Tokyo). When he was orphaned at the age of twelve, he assumed his father's job as firefighter. Soon, however, he was inspired by the prints of the esteemed artist Hokusai to become an artist. Hiroshige apprenticed himself to the artist Utagawa Toyohiro and for many years continued working as both a firefighter and an artist. In 1823, he was finally able to turn his firefighting duties over to his brother and devote himself full-time to painting.Many of the Hiroshige prints in our collection were taken from Hiroshige's final, masterful series entitled One Hundred Famous Views of Edo. They were produced between 1856 and 1858 when Hiroshige was an accomplished artist at the height of his skill and renown.Hiroshige became one of the most popular and prolific artists of his period, producing 5400 prints over his lifetime. 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His beautifully stylized works depicting peasant occupations, costumes and popular personalities were vigorously expressed using simplified, classical forms and bright color.As a child he showed great promise with his drawing and his father enrolled him in art school at an early age. He studied at the San Carlos Academy in Mexico City and in the carving workshop of artist José Guadalupe Posada, whose influence was decisive. Later in Paris, he absorbed the influence of Modernism and Cubism. His work had a powerful effect on many Abstract Expressionist painters, notably Jackson Pollock.His influential social and political beliefs were publicly censured when his 1933 mural design for Rockefeller Center was banned by Nelson Rockefeller, then director of The Museum of Modern Art, New York, after discovering that Rivera was a Communist. Rivera was most admired for his ability to capture significant moments in Mexican history and make his art public, on streets and buildings, with a realist style that was full of social content.","brand":"Diego Rivera","offers":[{"title":"11.5x9 image on 14x11 Paper","offer_id":26407390081,"sku":"R662pf","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/R662pf_7b179bec-29cc-4a8b-b620-e2d3bf6d26ef.jpg?v=1633480494"},{"product_id":"leonetto-cappiello-isolabella-1910","title":"Isolabella, 1910","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eWhether creating an advertisement for fashion, liquor or food, the Italian born Cappiello brought a sense of fun and laughter to every image he made. His poster characters dig into plates of pasta, pop open bottles of champagne, and walk in stylish clothing-usually portrayed with a sense of tremendous joy.\r\rA self taught artist, he headed to Paris in 1898 to join other artists of his period. He immediately started painting caricatures for the French publication Le Rire. This precipitated a string of assignments with the French newspapers.\r\rIn 1900, he signed a contract to do poster designs for the poster publisher Vercasson. Gradually his style developed so that his images were created using solid lines and strong flat color. His contribution to poster design contemporized this popular art form. Inspired by Cassandre and other well-known poster designers, Cappiello became involved with the poster scene in Paris. He became a naturalized citizen of France in 1930 and retired to Grasse at age 66, having fulfilled his dream to be one of Europe’s most celebrated graphic artists.","brand":"Leonetto Cappiello","offers":[{"title":"31.5x23.5 image on 31.5x23.5 Paper","offer_id":26407396673,"sku":"C1094q","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/c1094.jpg?v=1599037813"},{"product_id":"ullman-mystic-south-africa","title":"Mystic South Africa","description":"© 2026\n The Cleveland Museum of Art, Gift of the Central Outdoor Advertising Company, S-98\/14\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eThis image by Ullmann S. C. Allen \u0026amp; Company Ltd. is an example of early 20th century poster advertising. The modern poster, as we know it dates back to 1870 when the printing industry perfected color lithography and made mass production possible. They have ranged in styles from Art Nouveau, Symbolism, Cubism, and Art Deco to the more formal Bauhaus and the hippie posters of the 1960s.Posters, in the form of placards and posted bills, have been used since earliest times, primarily for advertising and announcements. By the 1890s, the technique had spread throughout Europe. A number of noted artists created poster art in this period, foremost amongst them Henri de Toulouse-Lautrec and Jules Chéret. Chéret is considered to be the \"father\" of advertisement placards.Chéret developed a new lithographic technique that suited better the needs of advertisers: he added a lot more colour which, in conjunction with innovative typography, rendered the poster much more expressive. Posters soon transformed the thoroughfares of Paris into the \"art galleries of the street.\" Their commercial success was such that some of the artists were in great demand and theatre stars personally selected their own favorite artist to do the poster for an upcoming performance. The popularity of poster art was such that in 1884 a major exhibition was held in Paris.By the 1890s, poster art had widespread usage in other parts of Europe, advertising everything from bicycles to bullfights. By the end of the 19th century, during an era known as the Belle Époque, the standing of the poster as a serious artform was raised even further. Many posters, particularly early posters, were used for advertising products. 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After military service in World War II, he attended the Sorbonne and traveled in Europe. During this time he achieved recognition for his complex semiabstract collages of photographs and painted paper on canvas. The narrative structure of his work is clear; aspects of African American culture, including ritual, music, and family, were his predominant themes. By the 1960s Bearden was recognized as the preeminent collagist in the U.S. He is regarded as one of the most important African American artists of the 20th century.","brand":"Romare Bearden","offers":[{"title":"11x8.25 image on 14x11 Paper","offer_id":26407610817,"sku":"B1000pf","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/B1000_3798d6aa-2fa8-45e3-a174-4f4061080387.jpg?v=1637092684"},{"product_id":"romare-bearden-three-folk-musicians-1967","title":"Three Folk Musicians, 1967","description":"© 2026\n Romare Bearden Foundation\/Licensed by VAGA, New York, NY\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eRomare Bearden (born Sept. 2, 1911, Charlotte, N.C., U.S. — died March 12, 1988, New York, N.Y.) was a U.S. painter who studied at the Art Students League with George Grosz and at Columbia University. After military service in World War II, he attended the Sorbonne and traveled in Europe. During this time he achieved recognition for his complex semiabstract collages of photographs and painted paper on canvas. The narrative structure of his work is clear; aspects of African American culture, including ritual, music, and family, were his predominant themes. By the 1960s Bearden was recognized as the preeminent collagist in the U.S. He is regarded as one of the most important African American artists of the 20th century.","brand":"Romare Bearden","offers":[{"title":"8x9.75 image on 11x14 Paper","offer_id":26407611585,"sku":"B1002pf","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/B1002.jpg?v=1637092482"},{"product_id":"leonetto-cappiello-cognac-monnet-1927","title":"Cognac Monnet, 1927","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eWhether creating an advertisement for fashion, liquor or food, the Italian born Cappiello brought a sense of fun and laughter to every image he made. His poster characters dig into plates of pasta, pop open bottles of champagne, and walk in stylish clothing-usually portrayed with a sense of tremendous joy.\r\rA self taught artist, he headed to Paris in 1898 to join other artists of his period. He immediately started painting caricatures for the French publication Le Rire. This precipitated a string of assignments with the French newspapers.\r\rIn 1900, he signed a contract to do poster designs for the poster publisher Vercasson. Gradually his style developed so that his images were created using solid lines and strong flat color. His contribution to poster design contemporized this popular art form. Inspired by Cassandre and other well-known poster designers, Cappiello became involved with the poster scene in Paris. He became a naturalized citizen of France in 1930 and retired to Grasse at age 66, having fulfilled his dream to be one of Europe’s most celebrated graphic artists.","brand":"Leonetto Cappiello","offers":[{"title":"24x18 image on 24x18 Paper","offer_id":26407630529,"sku":"C1274m","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/C1274_432f9434-dddb-46c3-a3ac-7993d8a380bc.jpg?v=1633480500"},{"product_id":"wifredo-lam-the-jungle-1943","title":"The Jungle, 1943","description":"© Wifredo Lam\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eWifredo Lam (b Sagua la Grande, 8 Dec 1902; d Paris, 11 Sept 1982) was a Cuban painter, draughtsman and sculptor. He was brought up as a Roman Catholic but was also introduced at an early age to African superstitions and witchcraft. In 1916 he moved to Havana, where he began to make studies of the tropical plants in the Botanical Gardens while studying law at the insistence of his family. He studied painting at the Escuela de Bellas Artes from 1918 to 1923 but disliked the academic teaching and preferred to paint out of doors, in the streets. He left for Spain in autumn 1923, remaining there until 1938. In the mornings he attended the studio of the reactionary painter Fernando Alvarez de Sotomayor, curator of the Prado, who was also the teacher of Salvador Dal?, but in the evenings he worked in the studio where the young non-conformist painters gathered. He was fascinated by the paintings of Hieronymus Bosch and Pieter Bruegel I in the Prado and by the Museo Arqueol?gico Nacional; it was during this period that he also became aware of the work of Paul C?zanne and Paul Gauguin. His early pictures were in the modern Spanish realist tradition (e.g. Landscape of Las Ventas, 1926-7; Buenos Aires, priv. col., see Fouchet, 1984, p. 20), but they gradually became much more simplified and decorative.\r","brand":"Wifredo Lam","offers":[{"title":"8.5x8 image on 14x11 Paper","offer_id":26407649857,"sku":"L900pf","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/L900.jpg?v=1638222278"},{"product_id":"vintage-posters-vicomte-de-moulliac","title":"Vicomte de Moulliac","description":"© 2026\n McGaw Graphics, Inc.\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eThese posters got their start in the late 1800s when brands hired artists and illustrators to create their ads and announcements for various products such as chocolates, alcohol, soap, or cigarettes. This was the time when the development of mass printing emerged and this new technology allowed for low-cost reproductions with vibrant colors. These works on posters became more affordable than original art and grew in popularity. This new industry attracted many aspiring artists looking to generate revenue from their work. 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Apprenticed to a woodcut engraver at 15, he became a student of the leading ukiyo-e master, Katsukawa Shunsho, in 1778. His first published works, prints of kabuki actors, appeared the following year. He soon turned to historical and landscape subjects and prints of children. He developed an eclectic style and achieved success with book illustrations and surimono prints (\"printed things\" for special occasions, such as cards and announcements), picture books and novelettes, erotic books and album prints, paintings, and ink sketches. He experimented with Western-style perspective and use of colour and later concentrated on samurai themes and Chinese subjects. His Thirty-six Views of Mount Fuji (1826 – 33), a series of prints, marked a summit in the history of the Japanese landscape print; in grandeur of concept and skill of execution there was little approaching it before and nothing to surpass it later. 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Working in a primitive style, her paintings are full of odd color combinations, static figures and incredible space and scale. Kahlo experienced tremendous physical and psychological torment throughout her life. When she was fifteen, she was involved in a near fatal streetcar accident which left her with a crushed pelvis, fractured spine and broken foot. This accident was the beginning of a lifelong battle of operations, infection, amputation, and, eventually, death. It was also the beginning of a remarkable series of paintings about pain, confinement and femininity. Almost all of Kahlo's paintings are self-portraits, an autobiography in paint. Kahlo said that many of her contemporaries \"thought I was a Surrealist, but I wasn't. I never painted dreams. I painted my own reality.\" Diego Rivera, Kahlo's husband, gave her house in Coyoacan and its contents to the state to be used as the Frida Kahlo Museum after her death in 1954. 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His beautifully stylized works depicting peasant occupations, costumes and popular personalities were vigorously expressed using simplified, classical forms and bright color.As a child he showed great promise with his drawing and his father enrolled him in art school at an early age. He studied at the San Carlos Academy in Mexico City and in the carving workshop of artist José Guadalupe Posada, whose influence was decisive. Later in Paris, he absorbed the influence of Modernism and Cubism. His work had a powerful effect on many Abstract Expressionist painters, notably Jackson Pollock.His influential social and political beliefs were publicly censured when his 1933 mural design for Rockefeller Center was banned by Nelson Rockefeller, then director of The Museum of Modern Art, New York, after discovering that Rivera was a Communist. 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Since then he has worked on many national and international advertising campaigns. In recent years his work has included illustrations for museums, in the UK, Middle East and America.\r\rThrough the years he became interested in the posters and images of the 1920s and 30s. 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An aristocratic family (descendants of the Counts of Toulouse) that had recently fallen on hard times, the Toulouse-Lautrecs were feeling the effects of the inbreeding of past generations; the Comte and Comtesse themselves were first cousins, and Henri suffered from a number of congenital health conditions attributed to this tradition of inbreeding (see below). A younger brother was born to the family on 28 August 1867, but died the following year.\r\rThroughout his career, which spanned less than 20 years, Toulouse-Lautrec created 737 canvases, \r275 watercolors, 363 prints and posters, 5,084 drawings, some ceramic and stained glass work, and an unknown number of lost works. Toulouse-Lautrec is known along with Cezanne, Van Gogh, and Gaugin as one of the greatest painters of the Post-Impressionist period. His debt to the Impressionists, in particular the more figurative painters Manet and Degas, is apparent. In the works of Toulouse-Lautrec can be seen many parallels to Manet's bored barmaid at A Bar at the Folies-Bergère and the behind-the-scenes ballet dancers of Degas. He excelled at capturing people in their working environment, with the colour and the movement of the gaudy night-life present, but the glamour stripped away. He was masterly at capturing crowd scenes in which the figures are highly individualised. At the time that they were painted, the individual figures in his larger paintings could be identified by silhouette alone, and the names of many of these characters have been recorded. His treatment of his subject matter, whether as portraits, scenes of Parisian night-life, or intimate studies, has been described as both sympathetic and dispassionate.\r\rToulous-Lautrec's skilled depiction of people relied on his painterly style which is highly linear and gives great emphasis to contour. 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