{"title":"Interiors","description":"","products":[{"product_id":"alice-dalton-brown-blues-come-through","title":"Blues Come Through","description":"© Alice Dalton Brown\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eAs a contemporary Realist using the medium of either oil on canvas or pastel on paper, Dalton Brown achieves beautifully detailed scenes of airy domestic views, breezy porch settings and dappled seascapes which inspire a romantic, meditative mood. Her light-filled interiors and fresh landscapes contain strong graphic compositions, which divide space with broad planes of color, to which she adds her distinct Realist detail to highlight the subject matter. She completes her major paintings in her New York studio, working from her en plein air studies and collaged photographs. Dalton Brown is able to portray an acute sense of time and place in her work by her masterful rendering of light and shadow.\r\rBorn in Pennsylvania, Dalton Brown studied art at the prestigious Académie Julian in Paris, and graduated from Oberlin College in Ohio. Since 1975, she has shown her works in numerous solo and selected group exhibitions across the U.S. Her works are included in scores of museums and private and corporate collections, amongst them the American Express Company, Commerce Bancshares, Inc., Harpo, Inc., The Metropolitan Museum of Art, New York, and the Tampa Museum of Art, Florida.","brand":"Alice Dalton Brown","offers":[{"title":"11.25x18 image on 13x19 Paper","offer_id":26407601153,"sku":"D1373sfd","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/D1373_5607c937-478b-48d8-b98c-4ce506561961.jpg?v=1637787525"},{"product_id":"henri-matisse-the-red-studio","title":"The Red Studio","description":"© 2026\n Succession H. Matisse\/Artists Rights Society (ARS), New York\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eMatisse is often regarded as the most important French painter of the 20th century. As a master of supreme decoration and expressive use of color, his visionary experiments into different styles of painting from his impressionistic domestic and figurative subjects to his abstract cut-outs changed our perception of the world.Early in his career, Matisse was viewed as a Fauvist (a group of artists known as the \"wild beasts\"). His work gravitated to the beautiful and his celebration of bright colors reached its peak in 1917 when he began to spend time on the French Riviera at Nice and Vence. Matisse’s Fauvist years were superseded by an experimental period, as he abandoned three-dimensional effects in favor of dramatically simplified areas of pure color, flat shape and strong pattern.As a man of nervous temperament, he coaxed his anxious tension into serenity through painting. In his later years, Matisse moved into a period of selfless invention, creating his cut-outs carved in colored paper and sometimes collaged into vast pictures. The geometric rightness and color radiance of these pictures sum up his greatest gift: his innate knowledge of how colors and shapes could come to life spectacularly when set in context.","brand":"Henri Matisse","offers":[{"title":"8x9.75 image on 11x14 Paper","offer_id":26364257857,"sku":"M1926pf","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/M1926_e059cd1d-c452-4afa-b16a-651addf56ac2.jpg?v=1633480466"},{"product_id":"henri-matisse-interior-with-a-violin-case","title":"Interior with a Violin Case","description":"© 2026\n Succession H. Matisse\/Artists Rights Society (ARS), New York\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eMatisse is often regarded as the most important French painter of the 20th century. As a master of supreme decoration and expressive use of color, his visionary experiments into different styles of painting from his impressionistic domestic and figurative subjects to his abstract cut-outs changed our perception of the world.Early in his career, Matisse was viewed as a Fauvist (a group of artists known as the \"wild beasts\"). His work gravitated to the beautiful and his celebration of bright colors reached its peak in 1917 when he began to spend time on the French Riviera at Nice and Vence. Matisse’s Fauvist years were superseded by an experimental period, as he abandoned three-dimensional effects in favor of dramatically simplified areas of pure color, flat shape and strong pattern.As a man of nervous temperament, he coaxed his anxious tension into serenity through painting. In his later years, Matisse moved into a period of selfless invention, creating his cut-outs carved in colored paper and sometimes collaged into vast pictures. 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As a master of supreme decoration and expressive use of color, his visionary experiments into different styles of painting from his impressionistic domestic and figurative subjects to his abstract cut-outs changed our perception of the world.Early in his career, Matisse was viewed as a Fauvist (a group of artists known as the \"wild beasts\"). His work gravitated to the beautiful and his celebration of bright colors reached its peak in 1917 when he began to spend time on the French Riviera at Nice and Vence. Matisse’s Fauvist years were superseded by an experimental period, as he abandoned three-dimensional effects in favor of dramatically simplified areas of pure color, flat shape and strong pattern.As a man of nervous temperament, he coaxed his anxious tension into serenity through painting. In his later years, Matisse moved into a period of selfless invention, creating his cut-outs carved in colored paper and sometimes collaged into vast pictures. 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As a master of supreme decoration and expressive use of color, his visionary experiments into different styles of painting from his impressionistic domestic and figurative subjects to his abstract cut-outs changed our perception of the world.\n\nEarly in his career, Matisse was viewed as a Fauvist (a group of artists known as the \"wild beasts\"). His work gravitated to the beautiful and his celebration of bright colors reached its peak in 1917 when he began to spend time on the French Riviera at Nice and Vence. Matisse’s Fauvist years were superseded by an experimental period, as he abandoned three-dimensional effects in favor of dramatically simplified areas of pure color, flat shape and strong pattern.\n\nAs a man of nervous temperament, he coaxed his anxious tension into serenity through painting. In his later years, Matisse moved into a period of selfless invention, creating his cut-outs carved in colored paper and sometimes collaged into vast pictures. 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In 1913 he exhibited in the Armory Show but spent much of his time on advertising art and illustrative etchings. In the mid 1920s he turned to watercolours and oil paintings of urban life. His House by the Railroad (1925) and Room in Brooklyn (1932) depict still, anonymous figures within geometric building forms, producing the haunting sense of isolation that was to be his hallmark. He used light to isolate figures and objects, as in Early Sunday Morning (1930) and Nighthawks (1942). 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In the mid 1920s he turned to watercolours and oil paintings of urban life. His House by the Railroad (1925) and Room in Brooklyn (1932) depict still, anonymous figures within geometric building forms, producing the haunting sense of isolation that was to be his hallmark. He used light to isolate figures and objects, as in Early Sunday Morning (1930) and Nighthawks (1942). 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Matisse\/Artists Rights Society (ARS), New York\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eMatisse is often regarded as the most important French painter of the 20th century. As a master of supreme decoration and expressive use of color, his visionary experiments into different styles of painting from his impressionistic domestic and figurative subjects to his abstract cut-outs changed our perception of the world.Early in his career, Matisse was viewed as a Fauvist (a group of artists known as the \"wild beasts\"). His work gravitated to the beautiful and his celebration of bright colors reached its peak in 1917 when he began to spend time on the French Riviera at Nice and Vence. Matisse’s Fauvist years were superseded by an experimental period, as he abandoned three-dimensional effects in favor of dramatically simplified areas of pure color, flat shape and strong pattern.As a man of nervous temperament, he coaxed his anxious tension into serenity through painting. In his later years, Matisse moved into a period of selfless invention, creating his cut-outs carved in colored paper and sometimes collaged into vast pictures. The geometric rightness and color radiance of these pictures sum up his greatest gift: his innate knowledge of how colors and shapes could come to life spectacularly when set in context.","brand":"Henri Matisse","offers":[{"title":"12x9 image on 14x11 Paper","offer_id":26404853633,"sku":"M3075pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"24x18 image on 28x22 Paper","offer_id":26404853697,"sku":"M3075p","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/M3075.jpg?v=1634138284"},{"product_id":"henri-matisse-interior-with-a-dog-1934","title":"Interior with a Dog, 1934","description":"© 2026\n Succession H. Matisse\/Artists Rights Society (ARS), New York\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eMatisse is often regarded as the most important French painter of the 20th century. As a master of supreme decoration and expressive use of color, his visionary experiments into different styles of painting from his impressionistic domestic and figurative subjects to his abstract cut-outs changed our perception of the world.Early in his career, Matisse was viewed as a Fauvist (a group of artists known as the \"wild beasts\"). His work gravitated to the beautiful and his celebration of bright colors reached its peak in 1917 when he began to spend time on the French Riviera at Nice and Vence. Matisse’s Fauvist years were superseded by an experimental period, as he abandoned three-dimensional effects in favor of dramatically simplified areas of pure color, flat shape and strong pattern.As a man of nervous temperament, he coaxed his anxious tension into serenity through painting. 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He studied engineering at the Madrid School of Arts and Manufactures (1902 – 04). In 1906 he moved to Paris and began producing drawings in the Art Nouveau style for newspapers. He became involved with the Cubist artists, notably Pablo Picasso, and soon developed his own version of Synthetic Cubism, a style more severe and calculated than that of other Cubists. His works, typically still lifes, are characterized by rigorously geometric compositions. His technique included the use of paper collage. 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His extraordinary draftsmanship, which stressed balance and clarity of outline, became a hallmark of his style. He worked in many media, preferring pastel to all others, and is best known for his intimate, immediate drawings of ballerinas and race horses.\r\rThe son of a wealthy Parisian banker, Degas originally planned to study law but opted to follow his early idol, the painter Jean Auguste Ingres, whose example pointed him in the direction of classical draftsmanship. After beginning his artistic studies with Louis Lamothes, a pupil of Ingres, he started classes at the Êcole des Beaux-Arts but left in 1854 and went to Italy. He stayed there for five years, studying Italian art, especially Renaissance works.\r\rReturning to Paris, Degas came to know Manet, and in the late 1860s he turned to contemporary themes where his subjects frequently conveyed an element of psychological tension. 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Sven was born in Berlin and studied Graphics and Design at University Hildesheim, and Printmaking at the Royal College of Art, London.  While working for several years as an Art Director and photographer in Germany and Great Britain, he has also spent the last 10 years developing his personal artworks. Sven lives and works in Berlin Germany.\r","brand":"Sven Pfrommer","offers":[{"title":"5x12.5 image on 11x14 Paper","offer_id":26452140545,"sku":"P4033-1P","price":15.0,"currency_code":"USD","in_stock":true},{"title":"6x15 image on 13x19 Paper","offer_id":26452140609,"sku":"P4033-2P","price":20.0,"currency_code":"USD","in_stock":true},{"title":"10x25 image on 12x27 Paper","offer_id":26452140673,"sku":"P4033-3P","price":30.0,"currency_code":"USD","in_stock":true},{"title":"12x30 image on 14x32 Paper","offer_id":26452140737,"sku":"P4033-4P","price":35.0,"currency_code":"USD","in_stock":true},{"title":"16x40 image on 18x42 Paper","offer_id":26452140801,"sku":"P4033-5P","price":50.0,"currency_code":"USD","in_stock":true},{"title":"20x50 image on 22x52 Paper","offer_id":26452140865,"sku":"P4033-6P","price":85.0,"currency_code":"USD","in_stock":true},{"title":"24x60 image on 26x62 Paper","offer_id":26452140929,"sku":"P4033-7P","price":125.0,"currency_code":"USD","in_stock":true},{"title":"26x65 image on 28x67 Paper","offer_id":26452141057,"sku":"P4033-8P","price":190.0,"currency_code":"USD","in_stock":true},{"title":"30x75 image on 32x77 Paper","offer_id":26452141121,"sku":"P4033-9P","price":220.0,"currency_code":"USD","in_stock":true},{"title":"5x12.5 image on 9x16.5 Giclée Paper","offer_id":26452141185,"sku":"P4033-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"6x15 image on 10x19 Giclée Paper","offer_id":26452141249,"sku":"P4033-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"10x25 image on 14x29 Giclée Paper","offer_id":26452141313,"sku":"P4033-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"12x30 image on 16x34 Giclée Paper","offer_id":26452141377,"sku":"P4033-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"16x40 image on 20x44 Giclée Paper","offer_id":26452141441,"sku":"P4033-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"20x50 image on 24x54 Giclée Paper","offer_id":26452141505,"sku":"P4033-6G","price":192.0,"currency_code":"USD","in_stock":true},{"title":"24x60 image on 28x64 Giclée Paper","offer_id":26452141569,"sku":"P4033-7G","price":265.0,"currency_code":"USD","in_stock":true},{"title":"26x65 image on 30x69 Giclée Paper","offer_id":26452141633,"sku":"P4033-8G","price":390.0,"currency_code":"USD","in_stock":true},{"title":"30x75 image on 34x79 Giclée Paper","offer_id":26452141697,"sku":"P4033-9G","price":450.0,"currency_code":"USD","in_stock":true},{"title":"5x12.5 image on 9x16.5 Unstretched Canvas","offer_id":26452141761,"sku":"P4033-1C","price":30.0,"currency_code":"USD","in_stock":true},{"title":"6x15 image on 10x19 Unstretched Canvas","offer_id":26452141825,"sku":"P4033-2C","price":45.0,"currency_code":"USD","in_stock":true},{"title":"10x25 image on 14x29 Unstretched Canvas","offer_id":26452141889,"sku":"P4033-3C","price":60.0,"currency_code":"USD","in_stock":true},{"title":"12x30 image on 16x34 Unstretched Canvas","offer_id":26452141953,"sku":"P4033-4C","price":80.0,"currency_code":"USD","in_stock":true},{"title":"16x40 image on 20x44 Unstretched Canvas","offer_id":26452142017,"sku":"P4033-5C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"20x50 image on 24x54 Unstretched Canvas","offer_id":26452142145,"sku":"P4033-6C","price":160.0,"currency_code":"USD","in_stock":true},{"title":"24x60 image on 28x64 Unstretched Canvas","offer_id":26452142273,"sku":"P4033-7C","price":220.0,"currency_code":"USD","in_stock":true},{"title":"26x65 image on 30x69 Unstretched Canvas","offer_id":26452142401,"sku":"P4033-8C","price":325.0,"currency_code":"USD","in_stock":true},{"title":"30x75 image on 34x79 Unstretched Canvas","offer_id":26452142593,"sku":"P4033-9C","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/P4033.jpg?v=1599044195"},{"product_id":"edgar-degas-in-the-cafe-1873","title":"In the Cafe, 1873","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eDegas is widely considered the master of drawing the human figure in motion. His extraordinary draftsmanship, which stressed balance and clarity of outline, became a hallmark of his style. He worked in many media, preferring pastel to all others, and is best known for his intimate, immediate drawings of ballerinas and race horses.\r\rThe son of a wealthy Parisian banker, Degas originally planned to study law but opted to follow his early idol, the painter Jean Auguste Ingres, whose example pointed him in the direction of classical draftsmanship. After beginning his artistic studies with Louis Lamothes, a pupil of Ingres, he started classes at the Êcole des Beaux-Arts but left in 1854 and went to Italy. He stayed there for five years, studying Italian art, especially Renaissance works.\r\rReturning to Paris, Degas came to know Manet, and in the late 1860s he turned to contemporary themes where his subjects frequently conveyed an element of psychological tension. 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His Post-Impressionist work hauntingly conveyed through forceful color, aggressive brushwork and contoured forms, the anguish of a mental illness that eventually resulted in suicide.After failing in both his career and love life, van Gogh turned inward, pursuing a position in the ministry. In 1880, disenchanted with priesthood, he discovered art as his new mission. The artist's earliest works were scenes of peasant life, but after a trip to Paris in 1886, where he encountered the works of the Impressionists and the Japanese prints en vogue at the time, he dramatically transformed his style from darkly colored realism to vibrant expressionism.Inspired by the beauty of rural Arles, he moved there in 1888, but continued to struggle with nervous crisis and depression, and after one particularly severe episode, committed himself to an asylum at St. Remy. While hospitalized, he continued to paint and produced one of his most compelling works, The Starry Night. 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All Rights Reserved.\n\u003chr\u003e\n\u003ch3\u003eAbout the Artist\u003c\/h3\u003eHenri Marie Raymond de Toulouse-Lautrec Monfa was born in Albi, Tarn in the Midi-Pyrénées région of France, the firstborn child of Comte Alphonse and Comtesse Adèle de Toulouse-Lautrec. An aristocratic family (descendants of the Counts of Toulouse) that had recently fallen on hard times, the Toulouse-Lautrecs were feeling the effects of the inbreeding of past generations; the Comte and Comtesse themselves were first cousins, and Henri suffered from a number of congenital health conditions attributed to this tradition of inbreeding (see below). A younger brother was born to the family on 28 August 1867, but died the following year.\n\nThroughout his career, which spanned less than 20 years, Toulouse-Lautrec created 737 canvases, \n275 watercolors, 363 prints and posters, 5,084 drawings, some ceramic and stained glass work, and an unknown number of lost works. Toulouse-Lautrec is known along with Cezanne, Van Gogh, and Gaugin as one of the greatest painters of the Post-Impressionist period. His debt to the Impressionists, in particular the more figurative painters Manet and Degas, is apparent. In the works of Toulouse-Lautrec can be seen many parallels to Manet's bored barmaid at A Bar at the Folies-Bergère and the behind-the-scenes ballet dancers of Degas. He excelled at capturing people in their working environment, with the colour and the movement of the gaudy night-life present, but the glamour stripped away. He was masterly at capturing crowd scenes in which the figures are highly individualised. At the time that they were painted, the individual figures in his larger paintings could be identified by silhouette alone, and the names of many of these characters have been recorded. His treatment of his subject matter, whether as portraits, scenes of Parisian night-life, or intimate studies, has been described as both sympathetic and dispassionate.\n\nToulous-Lautrec's skilled depiction of people relied on his painterly style which is highly linear and gives great emphasis to contour. He often applied the paint in long, thin brushstrokes which often leave much of the board on which they are painted showing through. Many of his works may best be described as drawings in coloured paint.\n\nAfter Toulouse-Lautrec's death, his mother, the Comtesse Adèle Toulouse-Lautrec, and Maurice Joyant, his art dealer, promoted his art. His mother contributed funds for a museum to be built in Albi, his birthplace, to house his works. 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They admired his technical abilities but dismissed his seriousness as an Impressionist. Monet was the only artist of the group who befriended Sargent, acting as a mentor and confidant.\r\rLater in his career, Sargent created scenic watercolors, moving away from portraiture. 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In 1874 Cassatt chose Paris as her permanent residence and established her studio there. She shared with the Impressionists an interest in experiment and in the use of bright colours inspired by the out-of-doors. Edgar Degas became her friend, and at his request she exhibited with the Impressionists. She portrayed scenes of everyday life, particularly images of mothers and children, and was skilled at drawing and printmaking. Some of her best works were executed in pastel. 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