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In addition to painting, Warhol made several 16mm films, which have become underground classics such as Chelsea Girls, Empire and Blow Job. In 1968, Valerie Solanis, founder and sole member of SCUM (Society for Cutting Up Men) walked into Warhol's studio, known as the Factory, and shot the artist. The attack was nearly fatal.\n\nAt the start of the 1970s, Warhol began publishing Interview magazine and renewed his focus on painting. Works created in this decade include Maos, Skulls, Hammer and Sickles, Torsos and Shadows and many commissioned portraits. Warhol also published The Philosophy of Andy Warhol (from A to B and Back Again). Firmly established as a major 20th-century artist and international celebrity, Warhol exhibited his work extensively in museums and galleries around the world.\n\nThe artist began the 1980s with the publication of POPism: The Warhol '60s and with exhibitions of Portraits of Jews of the Twentieth Century and the Retrospectives and Reversal series. 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He is most known for his iconic images of food, rendered in a style which may have stemmed from his early experience as a freelance cartoonist in the late 1930's.While serving in the army from 1942 to 1945, Thiebaud was able to flex his artistic muscles by working as a cartoonist and painting murals for the officers' club and the post theater before being assigned to the first Motion Picture Unit in Culver City, California. In 1946, while employed as a cartoonist, he also took a job as an advertising artist in Hollywood for Universal Studios. In 1949 Thiebaud enrolled at California State University at San Jose, transferring to the University at Sacramento, where he received a B.A. in 1951 and an M.A. in 1952. During his college years he worked on commissions for the California State Fair and Exposition, serving as a design and art consultant. He taught studio art and art history at Sacramento City College from 1951 to 1959, becoming chairman of the department in 1954. From 1959 to 1972, he taught at the University of California at Davis. In 1968 he represented the United States in the Sao Paulo Biennal in Brazil. In 1981 the College Art Association named Thiebaud the most distinguished studio teacher of the year. In 1985 he was elected to the American Academy of Arts and Letters.Thiebaud is best known for his still life paintings of everyday objects like sandwiches, gumball machines, toys, cafeteria-type foods, and especially thickly painted cakes and pies. His work illustrates a more nostalgic rather than satirical depiction of American consumerism, which was a staple of other artists of the Pop movement in the 1960's. He later went on to paint San Francisco landscapes in the 1970's. 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In 1945 he entered the Carnegie Institute of Technology (now Carnegie Mellon University) where he majored in pictorial design. Upon graduation, Warhol moved to New York where he found steady work as a commercial artist. He worked as an illustrator for several magazines including Vogue, Harper's Bazaar and The New Yorker and did advertising and window displays for retail stores such as Bonwit Teller and I. Miller. Prophetically, his first assignment was for Glamour magazine for an article titled \"Success is a Job in New York.\"\n\nThroughout the 1950s, Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Director's Club and the American Institute of Graphic Arts. In these early years, he shortened his name to \"Warhol.\" In 1952, the artist had his first individual show at the Hugo Gallery, exhibiting Fifteen Drawings Based on the Writings of Truman Capote. His work was exhibited in several other venues during the 1950s, including his first group show at The Museum of Modern Art in 1956.\n\nThe 1960s was an extremely prolific decade for Warhol. Appropriating images from popular culture, Warhol created many paintings that remain icons of 20th-century art, such as the Campbell's Soup Cans, Disasters and Marilyns. In addition to painting, Warhol made several 16mm films, which have become underground classics such as Chelsea Girls, Empire and Blow Job. In 1968, Valerie Solanis, founder and sole member of SCUM (Society for Cutting Up Men) walked into Warhol's studio, known as the Factory, and shot the artist. The attack was nearly fatal.\n\nAt the start of the 1970s, Warhol began publishing Interview magazine and renewed his focus on painting. Works created in this decade include Maos, Skulls, Hammer and Sickles, Torsos and Shadows and many commissioned portraits. 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