{"title":"Museum Romantic Art","description":"","products":[{"product_id":"marc-chagall-birthday","title":"Birthday","description":"© 2026\n Artists Rights Society (ARS) \/ New York \/ ADAGP, Paris \/ Chagall®\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eMarc Chagall was a Russian-born painter and graphic designer whose distinctive use of color and form derived partly from Russian Expressionism with French Cubist influences. His vivid recollections of Russian Jewish village scenes and incidents in his private life were treated with a touch of humor and fantasy. Strong, bright colors portray the world with a dreamlike, non-realistic simplicity and surreal inventiveness. This fusion of fantasy, religion and nostalgia filled his work with a childlike, joyous quality.Born in what is now Belarus, Chagall studied art in St. Petersburg. From 1910-14 he lived in Paris and absorbed the works of leading Cubist, Surrealist and Fauvist painters. 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In 1913 he exhibited in the Armory Show but spent much of his time on advertising art and illustrative etchings. In the mid 1920s he turned to watercolours and oil paintings of urban life. His House by the Railroad (1925) and Room in Brooklyn (1932) depict still, anonymous figures within geometric building forms, producing the haunting sense of isolation that was to be his hallmark. He used light to isolate figures and objects, as in Early Sunday Morning (1930) and Nighthawks (1942). 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All Rights Reserved.\n\u003chr\u003e\n\u003ch3\u003eAbout the Artist\u003c\/h3\u003eHenri Marie Raymond de Toulouse-Lautrec Monfa was born in Albi, Tarn in the Midi-Pyrénées région of France, the firstborn child of Comte Alphonse and Comtesse Adèle de Toulouse-Lautrec. An aristocratic family (descendants of the Counts of Toulouse) that had recently fallen on hard times, the Toulouse-Lautrecs were feeling the effects of the inbreeding of past generations; the Comte and Comtesse themselves were first cousins, and Henri suffered from a number of congenital health conditions attributed to this tradition of inbreeding (see below). A younger brother was born to the family on 28 August 1867, but died the following year.\n\nThroughout his career, which spanned less than 20 years, Toulouse-Lautrec created 737 canvases, \n275 watercolors, 363 prints and posters, 5,084 drawings, some ceramic and stained glass work, and an unknown number of lost works. Toulouse-Lautrec is known along with Cezanne, Van Gogh, and Gaugin as one of the greatest painters of the Post-Impressionist period. His debt to the Impressionists, in particular the more figurative painters Manet and Degas, is apparent. In the works of Toulouse-Lautrec can be seen many parallels to Manet's bored barmaid at A Bar at the Folies-Bergère and the behind-the-scenes ballet dancers of Degas. He excelled at capturing people in their working environment, with the colour and the movement of the gaudy night-life present, but the glamour stripped away. He was masterly at capturing crowd scenes in which the figures are highly individualised. At the time that they were painted, the individual figures in his larger paintings could be identified by silhouette alone, and the names of many of these characters have been recorded. His treatment of his subject matter, whether as portraits, scenes of Parisian night-life, or intimate studies, has been described as both sympathetic and dispassionate.\n\nToulous-Lautrec's skilled depiction of people relied on his painterly style which is highly linear and gives great emphasis to contour. He often applied the paint in long, thin brushstrokes which often leave much of the board on which they are painted showing through. Many of his works may best be described as drawings in coloured paint.\n\nAfter Toulouse-Lautrec's death, his mother, the Comtesse Adèle Toulouse-Lautrec, and Maurice Joyant, his art dealer, promoted his art. His mother contributed funds for a museum to be built in Albi, his birthplace, to house his works. 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Born in 1860, in what is now the Czech Republic, he had high aspirations to become a serious artist, which led him to pursue his studies in Prague and Munich. In 1887 he was lured to Paris, where he found it necessary to take on various minor commissions, including book and magazine illustration work. He achieved immediate fame in December 1894 when he accepted a commission from Sarah Bernhardt, the greatest actress of the time, to create a promotional graphic for the play Gismonda.Mucha’s art captivated the hearts and imaginations of the public with its beautiful, sensuous forms and exquisite definition of detail. He achieved an elegant style with his fluid design and perfectly balanced blend of natural and abstract decorative patterns. Mucha’s prolific output of posters, graphics, calendars, illustrations and decorative panel designs was concurrent with the general trend toward creating art for mass consumption and utilizing art for decoration. 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He was educated at University College School, before becoming a student at the Royal Academy Schools. He married Katherine Nash in 1885 and they went on to have a son and daughter. He exhibited annually at the Royal Academy from 1878 to 1920.\r\rLeighton was a fastidious craftsman, producing highly-finished, decorative pictures. 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His work crossed the boundaries between Impressionism and Naturalism. He frequently mingled with the Impressionists, but was viewed by them with much skepticism. They admired his technical abilities but dismissed his seriousness as an Impressionist. Monet was the only artist of the group who befriended Sargent, acting as a mentor and confidant.\r\rLater in his career, Sargent created scenic watercolors, moving away from portraiture. 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Winogrand's main subject was America, both its urban and rural landscapes and people. He began his photographic career in New York where he did commercial work. He worked as a freelance photographer for a picture agency and numerous magazines. He was very much influenced by Walker Evans and Robert Frank. He would spend many hours in the cities, zoos, rodeos and airports of the United States shooting the characters and animate and inanimate objects he found there. His images are said to capture the \"decisive moment\" to photographers.Winogrand produced five books in his career, including The Animals (1969), Women Art Beautiful (1975), Public Relations (1977), and Stock Photpgraphs: The Fort Worth Fat Stock Show and Rodeo (1980).","brand":"Garry Winogrand","offers":[{"title":"12x17.75 image on 16x20 Paper","offer_id":26649915009,"sku":"W869f","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/W869_375a2102-8fc7-43a7-bc34-b5370b1a9875.jpg?v=1633374610"},{"product_id":"frederic-leighton-painters-honeymoon-about-1864","title":"Painter's Honeymoon, about 1864","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eSir Frederic Leighton was born in Scarborough on December 3, 1830 to a family in the import and export business. He was educated at University College School, London. He then received his legal training on the European continent, first from Edward von Steinle and then from Giovanni Costa. When in Florence, aged 24, where he studied at the Accademia di Belle Arti, he painted the procession of the Cimabue Madonna through the Borgo Allegri. He lived in Paris from 1855 to 1859, where he met Ingres, Delacroix, Corot and Millet.\r\rIn 1860, he moved to London, where he associated with the Pre-Raphaelites. He designed Elizabeth Barrett Browning's tomb for Robert Browning in the English Cemetery, Florence in 1861. In 1864 he became an associate of the Royal Academy and in 1878 he became its President (1878–96). His 1877 sculpture, Athlete Wrestling with a Python, was considered at its time to inaugurate a renaissance in contemporary British sculpture, referred to as the New Sculpture. His paintings represented Britain at the great 1900 Paris Exhibition.\r\rLeighton was knighted at Windsor in 1878, and was created a baronet eight years later. He was the first painter to be given a peerage, in the New Year Honours List of 1896. The patent creating him Baron Leighton of Stretton in the County of Shropshire, was issued on 24 January 1896; Leighton died the next day of angina pectoris.\r\rAs he was unmarried, after his death his Barony was extinguished after existing for only a day; this is a record in the Peerage. His house in Holland Park, London has been turned into a museum, the Leighton House Museum. It contains a number of his drawings and paintings, as well as some of his sculptures (including Athlete Wrestling with a Python). The house also features many of Leighton's inspirations, including his collection of Isnik tiles. 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She settled in England after her marriage to Adrian Scott Stokes (1854-1935), the landscape painter, whom she had met in Pont-Aven. Marianne Stokes was considered one of the leading artists in Victorian England. \rPreindlsberger first studied in Munich under Lindenschmidt and having been awarded a scholarship for her first picture, 'Muttergluck', she worked in France under Pascal Adolphe Jean Dagnan-Bouveret (1852-1929), Colin and Gustave Courtois (1853-1923). She painted in the countryside and Paris, and, as with many other young painters, fell under the spell of the rustic naturalist Jules Bastien-Lepage. Her style continued to show his influence even when her subject matter changed from rustic to medieval romantic and biblical. While in France she met the Finnish painter Helene Schjerfbeck, in whose company she visited Pont-Aven in 1883.\rHer first salon painting, 'Reflection', which had been painted in Brittany, was exhibited in 1885 at the Royal Academy. Her work was also shown at the Grosvenor Gallery, New Gallery, and the Society of British Artists and in 1885, a year after her marriage, she took to using the name 'Mrs. Adrian Stokes'. She held a joint exhibition with her husband at the Fine Art Society in 1900.  The Stokes' lived in St Ives where Marianne was a member of the Newlyn School. Having no children, they regularly travelled abroad, frequently to the Tyrol, and in 1905 to Slovakia and the High Tatra. Here they spent about half a year sketching and painting in the villages of Važec, Mengusovce and Ždiar. Adrian Stokes concentrated on landscapes with images of hay-harvesting and picturesque cottages, while Marianne Stokes painted portraits showing fine detail of the garments. These paintings provide a valuable record of the Slovak culture.\rAfter abandoning oils, and inspired by the Pre-Raphaelite movement, she painted flat compositions in tempera and gesso, her paintings giving the impression of being frescoes on plaster surfaces. 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In 1862, he entered the studio of Gleyre and formed lasting friendships with other Impressionists, particularly Claude Monet. He endured much hardship early in his career but achieved success as a portraitist in the late 1870s. After visiting Italy in 1881-82, he abandoned the Impressionist ideal and developed a softer and more supple kind of handling which is evident in his pictures of young girls in softly colored settings. He is perhaps the best-loved of all the Impressionists for his cheerful subject matter – pretty children, flowers, lovely women – and their instant appeal. He once wrote, \"Why shouldn’t art be pretty? 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and graphic designer whose distinctive use of color and form derived partly from Russian Expressionism with French Cubist influences. His vivid recollections of Russian Jewish village scenes and incidents in his private life were treated with a touch of humor and fantasy. Strong, bright colors portray the world with a dreamlike, non-realistic simplicity and surreal inventiveness. This fusion of fantasy, religion and nostalgia filled his work with a childlike, joyous quality. Born in what is now Belarus, Chagall studied art in St. Petersburg. From 1910-14 he lived in Paris and absorbed the works of leading Cubist, Surrealist and Fauvist painters. From 1918-19 he was director of the Art Academy in Vitsyebsk and then became art director of the Moscow Jewish State Theater, where he painted several murals in the theater lobby and executed sets for several productions. In 1923, he moved permanently to France, except for a brief residence in the U.S. during World War II. Chagall expanded to other forms of art including ceramics, mosaics and stained glass. 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