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The son of a prosperous Jewish merchant, he moved to Paris in 1855. His earliest Unstretched Canvases are broadly painted figure paintings and landscapes; these show the careful observation of nature that was to remain a characteristic of his art. In 1871 he took a house in Pontoise, in the countryside outside Paris. These surroundings formed the theme of his art for some 30 years. Pissarro's leading motifs during the 1870s and 1880s were houses, factories, trees, haystacks, fields, labouring peasants, and river scenes. In these works, forms do not dissolve but remain firm, and colours are strong; during the latter part of the 1870s his comma-like brushstrokes frequently recorded the sparkling scintillation of light. These works were admired by the Impressionist artists; Pissarro was the only Impressionist painter who participated in all eight of the group's exhibitions. 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Appropriately, it is one of his pictures, Impression: Sunrise, which gave the group of artists painting in this style its name.\n\nBorn in Paris, Monet attended L'\nAcademie Suisse from 1859-60 and subsequently enrolled in the studio of Glenyre, where he met Renoir and Sisley, with whom he formed the nucleus of the Impressionist group. He organized the first Impressionist exhibit in 1874 and became the group'\ns leader, initiator and unswerving advocate. Monet moved to Giverny in 1883, planting the extensive gardens and lily ponds that would provide the inspiration for his later works.\n\nFrom 1890 he concentrated on a series of pictures in which he painted the same subject at different times of the day in different light. The most popular of these are the Haystacks and Rouen Cathedral series. He continued to travel widely, visiting London and Venice several times, yet increasingly he focused his attention on Giverny. 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As a co-founder of the Vienna Secession, a group of artists and architects who formed their own exhibition society and denounced the classical academic training of the time, his work embodied the high-keyed erotic, psychological and aesthetic preoccupations of fin-de-si√®cle Viennese intellectuals.\n\nKlimt was born in Baumgarten, a suburb of Vienna. His interest in art was nurtured by his father, an engraver. His formal training began at the Kunst-gewerbeschule in Vienna, and later he worked as an artist-decorator in association with his brother. The primal forces of sexuality, regeneration, love and death form the dominant themes of Klimt'\ns work. In The Kiss, Klimt'\ns best known work, beautifully rendered figures float dreamlike in space, wrapped in an abstracted mosaic robe that veils graceful contours. 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An aristocratic family (descendants of the Counts of Toulouse) that had recently fallen on hard times, the Toulouse-Lautrecs were feeling the effects of the inbreeding of past generations; the Comte and Comtesse themselves were first cousins, and Henri suffered from a number of congenital health conditions attributed to this tradition of inbreeding (see below). A younger brother was born to the family on 28 August 1867, but died the following year.\n\nThroughout his career, which spanned less than 20 years, Toulouse-Lautrec created 737 Unstretched Canvases, \n275 watercolors, 363 prints and posters, 5,084 drawings, some ceramic and stained glass work, and an unknown number of lost works. Toulouse-Lautrec is known along with Cezanne, Van Gogh, and Gaugin as one of the greatest painters of the Post-Impressionist period. His debt to the Impressionists, in particular the more figurative painters Manet and Degas, is apparent. 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An aristocratic family (descendants of the Counts of Toulouse) that had recently fallen on hard times, the Toulouse-Lautrecs were feeling the effects of the inbreeding of past generations; the Comte and Comtesse themselves were first cousins, and Henri suffered from a number of congenital health conditions attributed to this tradition of inbreeding (see below). A younger brother was born to the family on 28 August 1867, but died the following year.\n\nThroughout his career, which spanned less than 20 years, Toulouse-Lautrec created 737 Unstretched Canvases, \n275 watercolors, 363 prints and posters, 5,084 drawings, some ceramic and stained glass work, and an unknown number of lost works. Toulouse-Lautrec is known along with Cezanne, Van Gogh, and Gaugin as one of the greatest painters of the Post-Impressionist period. His debt to the Impressionists, in particular the more figurative painters Manet and Degas, is apparent. 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At age thirteen, he began a three-year apprenticeship with a lithographer and then his interest in painting led him to take an art course at the École Nationale de Dessin. Like most other fledgling artists, Chéret studied the techniques of various artists, past and present, by visiting Paris museums.From 1859 to 1866, he was trained in lithography in London, England, where he was strongly influenced by the British approach to poster design and printing. On returning to France, Chéret created vivid poster ads for the cabarets, music halls, and theaters such as the Eldorado, the Olympia, the Folies Bergères, Théâtre de l'Opéra, the Alcazar d'Été and the Moulin Rouge. His works were influenced by the scenes of frivolity depicted in the works of Rococo artists such as Jean-Honoré Fragonard and Antoine Watteau. So much in demand was he, that he expanded his business to providing advertisements for the plays of touring troupes, municipal festivals, and then for beverages and liquors, perfumes, soaps, cosmetics and pharmaceutical products. Eventually he became a major advertising force, adding the railroad companies and a number of manufacturing businesses to his client list.As his work became more popular and his large posters displaying modestly free-spirited females found a larger audience, pundits began calling him the \"father of the women's liberation.\" Females had previously been depicted in art as prostitutes or puritans. The women of Chéret's posters, joyous, elegant and lively—'Cherettes', as they were popularly called—were neither. It was freeing for the women of Paris, and heralded a noticeably more open atmosphere in Paris where women were able to engage in formerly taboo activities, such as wearing low-cut bodices and smoking in public. 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He studied in Europe and Britain, then returned to the U.S. to take up portrait and landscape painting. An avid naturalist, he made extensive trips in South and Central America and the Caribbean (1863 ‚Äì 70), where he produced luminous, meticulously detailed images of the tropical forests and landscapes. The New England coast and the rocky shore of Lake George, N.Y., also inspired notable paintings. 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She spent her early years traveling in Europe with her wealthy family. After attending the Pennsylvania Academy of the Fine Arts (1860 ‚Äì 65) she later studied in Paris, copying Old Masters. In 1874 Cassatt chose Paris as her permanent residence and established her studio there. She shared with the Impressionists an interest in experiment and in the use of bright colours inspired by the out-of-doors. Edgar Degas became her friend, and at his request she exhibited with the Impressionists. She portrayed scenes of everyday life, particularly images of mothers and children, and was skilled at drawing and printmaking. Some of her best works were executed in pastel. 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