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He served an apprenticeship with a Boston lithographer, then became a freelance illustrator in New York City. He exhibited at the National Academy of Design in 1860 and was elected a member in 1865. During a stay in France in 1866, he was attracted to French naturalism and Japanese prints, but they had little effect on his generally bright and happy work. He became a master of watercolour and his ability as an oil painter matured; he focused increasingly on solitary, withdrawn figures. He spent 1881 – 82 in the English village of Tynemouth, on the North Sea, where the coastal atmosphere, the sea, and the stoic people are the subjects of some of his most powerful images. In 1883 he moved permanently to Prouts Neck, and his dominant theme became the sea and the endless struggle against an uncaring nature. In his later years he continued to paint vigorously and in near-total isolation. 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At the age of 2 he contracted polio, which left his legs paralyzed for life. As a youth, he sketched the Massachusetts coastline around Cape Ann. In the mid-1830s his talents came to the attention of the eminent lithographer William Pendleton, who invited Lane to become an apprentice in his Boston firm.\r\rPendleton's shop provided Lane with his only formal training in art. Lane produced several lithographed business cards and music-sheet covers. In 1837 he did his first town views, including the National Lancers on the Boston Common. During this time he also saw exhibitions of 17th-century Dutch art at the Boston Athenaeum, as well as the city and harbor views then being painted by the English artist Robert Salmon. These provided a stimulus for Lane's own early paintings.\r\rLane traveled back and forth between Boston and Gloucester during the late 1830s and early 1840s, then settled permanently in Gloucester in 1848. He did several paintings and lithographs of Gloucester which show a telling sense both for specific details and general effects of light and atmosphere. He was fascinated by the myriad activities along the harbor front and on the water, as revealed in his 1844 View of Gloucester. The painting was subsequently redone as a lithograph.\r\rIn the summer of 1848 Lane made his first cruise along the Maine coast. Thereafter, he and various friends returned almost annually to explore the coast of Penobscot and Blue Hill bays and Mount Desert Island. Lane now began to paint quiet, evocative views, and he preferred to depict the transitional hours of the day, such as sunrise and sunset, rather than to fill his pictures with people, as he had done earlier. He applied his paint more thinly and used a glazing technique to create effects of serenity and stillness. 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Many of Brad's subjects can be found close to his home and studio in Upper Hanover Township in Montgomery County, Pennsylvania. \"My Pennsylvania paintings depict the rural community and a way of life that is quickly fading into the past. Many of the timber and stone barns and mills, the houses and outbuildings, which are part of the Pennsylvania heritage, are rapidly disappearing. I'd like to feel, in a way, that I have preserved them in my paintings.\"\r\rBrad has been drawing and painting most of his life, his early inspiration and guidance coming from his artist father (Ray Hendershot, also published by McGaw Graphics).\r\rUsing a representational approach in his painting, most of Brad's work has been in the water-media. He paints with both dry brush and wet brush techniques.\r\rBradley is currently represented by a number of galleries in Pennsylvania, Maine, New Jersey and Delaware. He is a signature artist member of the American Society of Marine Artists (ASMA) a signature professional artist of the International Society of Marine Painters (ISMP), and a signature member of the Philadelphia Water Color Society (PWCS). His works appear in public and private collections nationwide, including the collections of MBNA, Bank of Delaware, Delaware Trust, and the University of Delaware.","brand":"Bradley Hendershot","offers":[{"title":"8x11.25 image on 11x14 Paper","offer_id":26411183937,"sku":"H1328pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"12.5x17.5 image on 13x19 Paper","offer_id":26411184001,"sku":"H1328sf","price":20.0,"currency_code":"USD","in_stock":true},{"title":"14x20 image on 16x22 Paper","offer_id":26411184065,"sku":"H1328-3P","price":30.0,"currency_code":"USD","in_stock":true},{"title":"17.5x25 image on 19.5x27 Paper","offer_id":26411184129,"sku":"H1328-4P","price":35.0,"currency_code":"USD","in_stock":true},{"title":"20x28 image on 26x32 Paper","offer_id":26411184193,"sku":"H1328r","price":50.0,"currency_code":"USD","in_stock":true},{"title":"28x40 image on 30x42 Paper","offer_id":26411184257,"sku":"H1328-6P","price":85.0,"currency_code":"USD","in_stock":true},{"title":"31.5x45 image on 33.5x47 Paper","offer_id":26411184321,"sku":"H1328-7P","price":125.0,"currency_code":"USD","in_stock":true},{"title":"35x50 image on 37x52 Paper","offer_id":26411184385,"sku":"H1328-8P","price":190.0,"currency_code":"USD","in_stock":true},{"title":"45.5x65 image on 47.5x67 Paper","offer_id":26411184449,"sku":"H1328-9P","price":220.0,"currency_code":"USD","in_stock":true},{"title":"7x10 image on 11x14 Giclée Paper","offer_id":26411184513,"sku":"H1328-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"10.5x15 image on 14.5x19 Giclée Paper","offer_id":26411184577,"sku":"H1328-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"14x20 image on 18x24 Giclée Paper","offer_id":26411184641,"sku":"H1328-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"17.5x25 image on 21.5x29 Giclée Paper","offer_id":26411184705,"sku":"H1328-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"21x30 image on 25x34 Giclée Paper","offer_id":26411184769,"sku":"H1328-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"28x40 image on 32x44 Giclée Paper","offer_id":26411184833,"sku":"H1328-6G","price":192.0,"currency_code":"USD","in_stock":true},{"title":"31.5x45 image on 35.5x49 Giclée Paper","offer_id":26411184897,"sku":"H1328-7G","price":265.0,"currency_code":"USD","in_stock":true},{"title":"35x50 image on 39x54 Giclée Paper","offer_id":26411185025,"sku":"H1328-8G","price":390.0,"currency_code":"USD","in_stock":true},{"title":"45.5x65 image on 49.5x69 Giclée Paper","offer_id":26411185089,"sku":"H1328-9G","price":450.0,"currency_code":"USD","in_stock":true},{"title":"7x10 image on 11x14 Unstretched Canvas","offer_id":26411185153,"sku":"H1328-1C","price":30.0,"currency_code":"USD","in_stock":true},{"title":"10.5x15 image on 14.5x19 Unstretched Canvas","offer_id":26411185217,"sku":"H1328-2C","price":45.0,"currency_code":"USD","in_stock":true},{"title":"14x20 image on 18x24 Unstretched Canvas","offer_id":26411185281,"sku":"H1328-3C","price":60.0,"currency_code":"USD","in_stock":true},{"title":"17.5x25 image on 21.5x29 Unstretched Canvas","offer_id":26411185409,"sku":"H1328-4C","price":80.0,"currency_code":"USD","in_stock":true},{"title":"21x30 image on 25x34 Unstretched Canvas","offer_id":26411185473,"sku":"H1328-5C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"28x40 image on 32x44 Unstretched Canvas","offer_id":26411185537,"sku":"H1328-6C","price":160.0,"currency_code":"USD","in_stock":true},{"title":"31.5x45 image on 35.5x49 Unstretched Canvas","offer_id":26411185601,"sku":"H1328-7C","price":220.0,"currency_code":"USD","in_stock":true},{"title":"35x50 image on 39x54 Unstretched Canvas","offer_id":26411185665,"sku":"H1328-8C","price":325.0,"currency_code":"USD","in_stock":true},{"title":"45.5x65 image on 49.5x69 Unstretched Canvas","offer_id":26411185729,"sku":"H1328-9C","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/H1328.jpg?v=1641314015"},{"product_id":"fitz-hugh-lane-boston-harbor-about-1850-55","title":"Boston Harbor, about 1850-55","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eFitz Hugh Lane was born in Gloucester, Mass., on Dec. 19, 1804. At the age of 2 he contracted polio, which left his legs paralyzed for life. As a youth, he sketched the Massachusetts coastline around Cape Ann. In the mid-1830s his talents came to the attention of the eminent lithographer William Pendleton, who invited Lane to become an apprentice in his Boston firm.\r\rPendleton's shop provided Lane with his only formal training in art. Lane produced several lithographed business cards and music-sheet covers. In 1837 he did his first town views, including the National Lancers on the Boston Common. During this time he also saw exhibitions of 17th-century Dutch art at the Boston Athenaeum, as well as the city and harbor views then being painted by the English artist Robert Salmon. These provided a stimulus for Lane's own early paintings.\r\rLane traveled back and forth between Boston and Gloucester during the late 1830s and early 1840s, then settled permanently in Gloucester in 1848. He did several paintings and lithographs of Gloucester which show a telling sense both for specific details and general effects of light and atmosphere. He was fascinated by the myriad activities along the harbor front and on the water, as revealed in his 1844 View of Gloucester. The painting was subsequently redone as a lithograph.\r\rIn the summer of 1848 Lane made his first cruise along the Maine coast. Thereafter, he and various friends returned almost annually to explore the coast of Penobscot and Blue Hill bays and Mount Desert Island. Lane now began to paint quiet, evocative views, and he preferred to depict the transitional hours of the day, such as sunrise and sunset, rather than to fill his pictures with people, as he had done earlier. He applied his paint more thinly and used a glazing technique to create effects of serenity and stillness. Occasionally a contemplative figure appears, to reinforce the sense of man's spiritual harmony with nature.\r\rAll of Lane's later work possesses this aura of calm and spaciousness. He painted two pure landscapes near Gloucester in 1863, possibly under Martin Johnson Heade's influence. For the most part, however, Lane's life and art were remarkably self-contained, although his light-filled canvases forecast the direction of American landscape painting in subsequent decades. He remained actively at work up to the time of his death on Aug. 13, 1865.\r\r","brand":"Fitz Hugh Lane","offers":[{"title":"7.5x12 image on 11x14 Paper","offer_id":26411191105,"sku":"L901pf","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/L901.jpg?v=1641314594"},{"product_id":"gill-copeland-dungeness","title":"Dungeness","description":"© Gill Copeland\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eGill grew up in Yorkshire and now lives with her family in Sussex.\r\rShe started her photographic career in travel photography and traveled widely for several years. Her photographic work is now exhibited and collected internationally. Her subjects capture the unity and desertion in nature through seascapes, landscapes and flowers. Gills unique style makes her award winning work instantly recognizable.","brand":"Gill Copeland","offers":[{"title":"10.5x8.25 image on 14x11 Paper","offer_id":26411323393,"sku":"C1427-1P","price":15.0,"currency_code":"USD","in_stock":true},{"title":"15x12 image on 19x13 Paper","offer_id":26411323457,"sku":"C1427sf","price":20.0,"currency_code":"USD","in_stock":true},{"title":"21x16.5 image on 23x18.5 Paper","offer_id":26411323777,"sku":"C1427-3P","price":30.0,"currency_code":"USD","in_stock":true},{"title":"24.5x19.25 image on 26.5x21.25 Paper","offer_id":26411324033,"sku":"C1427-4P","price":35.0,"currency_code":"USD","in_stock":true},{"title":"28x22 image on 30x24 Paper","offer_id":26411324289,"sku":"C1427-5P","price":50.0,"currency_code":"USD","in_stock":true},{"title":"35x27.5 image on 37x29.5 Paper","offer_id":26411324545,"sku":"C1427-6P","price":85.0,"currency_code":"USD","in_stock":true},{"title":"10.5x8.25 image on 14.5x12.25 Giclée Paper","offer_id":26411324865,"sku":"C1427-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"14x11 image on 18x15 Giclée Paper","offer_id":26411325057,"sku":"C1427-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"21x16.5 image on 25x20.5 Giclée Paper","offer_id":26411325185,"sku":"C1427-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"24.5x19.25 image on 28.5x23.25 Giclée Paper","offer_id":26411325505,"sku":"C1427-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"28x22 image on 32x26 Giclée Paper","offer_id":26411325761,"sku":"C1427-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"35x27.5 image on 39x31.5 Giclée Paper","offer_id":26411326017,"sku":"C1427-6G","price":192.0,"currency_code":"USD","in_stock":true},{"title":"10.5x8.25 image on 14.5x12.25 Unstretched Canvas","offer_id":26411326209,"sku":"C1427-1C","price":30.0,"currency_code":"USD","in_stock":true},{"title":"14x11 image on 18x15 Unstretched Canvas","offer_id":26411326401,"sku":"C1427-2C","price":45.0,"currency_code":"USD","in_stock":true},{"title":"21x16.5 image on 25x20.5 Unstretched Canvas","offer_id":26411326785,"sku":"C1427-3C","price":60.0,"currency_code":"USD","in_stock":true},{"title":"24.5x19.25 image on 28.5x23.25 Unstretched Canvas","offer_id":26411326977,"sku":"C1427-4C","price":80.0,"currency_code":"USD","in_stock":true},{"title":"28x22 image on 32x26 Unstretched Canvas","offer_id":26411327169,"sku":"C1427-5C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"35x27.5 image on 39x31.5 Unstretched Canvas","offer_id":26411327297,"sku":"C1427-6C","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/C1427.jpg?v=1641325750"},{"product_id":"edwin-levick-yankee-rainbow","title":"Yankee \u0026 Rainbow","description":"© Edwin Levick\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eEdwin Levick came to America in 1899 from London to work as a translator of Arabic for the Guaranty Trust Company in New York City. He soon turned his attention to photography and was supplying his photographic services to the Chicago Tribune, the New York Times, and the New York Herald Tribune as well as Rudder and Motorboat Magazine. He began to write for newspapers and photograph for magazines of the day; he eventually decided to specialize in maritime photography. Within a few years, Levick's successful business had expanded having to employing seven assistants, including Morris Rosenfeld, who would later gain a reputation as a premier maritime photographer in his own right.   \r\rIn 1929, Levick died at his home in New Rochelle, New York, at the peak of his career at the age of 61. The New Rochelle Standard declared he was the \"best known maritime photographer in the nation.... a genuinely artistic soul.\" He had lived in New Rochelle for the past fifteen years and was a member of the New Rochelle Yacht Club.","brand":"Edwin Levick","offers":[{"title":"8x10 image on 10x12 Paper","offer_id":26411500033,"sku":"L1009a","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/L1009_274818c1-37a8-4f5d-b8e7-a163903d5713.jpg?v=1641331467"},{"product_id":"edwin-levick-rainbows-finish","title":"Rainbow's Finish","description":"© Edwin Levick\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eEdwin Levick came to America in 1899 from London to work as a translator of Arabic for the Guaranty Trust Company in New York City. He soon turned his attention to photography and was supplying his photographic services to the Chicago Tribune, the New York Times, and the New York Herald Tribune as well as Rudder and Motorboat Magazine. He began to write for newspapers and photograph for magazines of the day; he eventually decided to specialize in maritime photography. Within a few years, Levick's successful business had expanded having to employing seven assistants, including Morris Rosenfeld, who would later gain a reputation as a premier maritime photographer in his own right.   \r\rIn 1929, Levick died at his home in New Rochelle, New York, at the peak of his career at the age of 61. The New Rochelle Standard declared he was the \"best known maritime photographer in the nation.... a genuinely artistic soul.\" He had lived in New Rochelle for the past fifteen years and was a member of the New Rochelle Yacht Club.","brand":"Edwin Levick","offers":[{"title":"8x10 image on 10x12 Paper","offer_id":26411500993,"sku":"L1008a","price":15.0,"currency_code":"USD","in_stock":true},{"title":"18x25 image on 22x28 Paper","offer_id":26411501057,"sku":"L1008n","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/L1008.jpg?v=1599047654"},{"product_id":"edwin-levick-rainbows-run","title":"Rainbow's Run","description":"© Edwin Levick\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eEdwin Levick came to America in 1899 from London to work as a translator of Arabic for the Guaranty Trust Company in New York City. He soon turned his attention to photography and was supplying his photographic services to the Chicago Tribune, the New York Times, and the New York Herald Tribune as well as Rudder and Motorboat Magazine. He began to write for newspapers and photograph for magazines of the day; he eventually decided to specialize in maritime photography. Within a few years, Levick's successful business had expanded having to employing seven assistants, including Morris Rosenfeld, who would later gain a reputation as a premier maritime photographer in his own right.   \r\rIn 1929, Levick died at his home in New Rochelle, New York, at the peak of his career at the age of 61. The New Rochelle Standard declared he was the \"best known maritime photographer in the nation.... a genuinely artistic soul.\" He had lived in New Rochelle for the past fifteen years and was a member of the New Rochelle Yacht Club.","brand":"Edwin Levick","offers":[{"title":"8x10 image on 10x12 Paper","offer_id":26411502337,"sku":"L1007a","price":15.0,"currency_code":"USD","in_stock":true},{"title":"18x25 image on 22x28 Paper","offer_id":26411502401,"sku":"L1007n","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/L1007_3401f591-e3e5-428e-8815-0229d06b0eba.jpg?v=1641331566"},{"product_id":"edwin-levick-ranger","title":"Ranger","description":"© Edwin Levick\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eEdwin Levick came to America in 1899 from London to work as a translator of Arabic for the Guaranty Trust Company in New York City. He soon turned his attention to photography and was supplying his photographic services to the Chicago Tribune, the New York Times, and the New York Herald Tribune as well as Rudder and Motorboat Magazine. He began to write for newspapers and photograph for magazines of the day; he eventually decided to specialize in maritime photography. Within a few years, Levick's successful business had expanded having to employing seven assistants, including Morris Rosenfeld, who would later gain a reputation as a premier maritime photographer in his own right.   \r\rIn 1929, Levick died at his home in New Rochelle, New York, at the peak of his career at the age of 61. The New Rochelle Standard declared he was the \"best known maritime photographer in the nation.... a genuinely artistic soul.\" He had lived in New Rochelle for the past fifteen years and was a member of the New Rochelle Yacht Club.","brand":"Edwin Levick","offers":[{"title":"8x10 image on 10x12 Paper","offer_id":26411506817,"sku":"L1006a","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/L1006.jpg?v=1599047656"},{"product_id":"zhen-huan-lu-weathered-traveler","title":"Weathered Traveler","description":"© Zhen-Huan Lu\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eZhen-Huan Lu is an American artist of Chinese descent.  After receiving a degree from the Department of Stage Design, Shanghai Theatre Academy (famous for its Western-style landscape painting training program), he was appointed to teach painting and stage design there. In 1986, he relocated to the United States after receiving an invitation to give his first solo exhibition in New York.\r\rZhen-Huan Lu’s disciplined background in life study, western painting techniques and both western and eastern aesthetics, led to his development of a unique American style of poetic realism that aims to make visible the invisibles through his skillful portrayal of familiar scenes and objects. His training also led him to develop equal skill in watercolor, egg tempera, and oil painting; three disparate and difficult media to master.\r\rAlthough people are never depicted in his landscape paintings, Lu’s keen interest remains in human life and emotions; whether it be rocking chairs on the porch on a lazy afternoon or a pair of oars against an aged beach house, human spirit is always present. Through his masterful technique, Zhen-Huan Lu captures a world beyond the obvious with close-ups and exquisite details.\r\rZhen-Huan Lu’s paintings have been exhibited in museums and galleries throughout the United States and China. \r","brand":"Zhen-Huan Lu","offers":[{"title":"12x9 image on 14x11 Paper","offer_id":26411595585,"sku":"Z173-1P","price":15.0,"currency_code":"USD","in_stock":true},{"title":"16x12 image on 19x13 Paper","offer_id":26411595649,"sku":"Z173-2P","price":20.0,"currency_code":"USD","in_stock":true},{"title":"20x15 image on 22x17 Paper","offer_id":26411595713,"sku":"Z173-3P","price":30.0,"currency_code":"USD","in_stock":true},{"title":"24x18 image on 30x24 Paper","offer_id":26411595777,"sku":"Z173p","price":30.0,"currency_code":"USD","in_stock":true},{"title":"32x24 image on 34x26 Paper","offer_id":26411595841,"sku":"Z173-5P","price":50.0,"currency_code":"USD","in_stock":true},{"title":"36x27 image on 38x29 Paper","offer_id":26411595905,"sku":"Z173-6P","price":85.0,"currency_code":"USD","in_stock":true},{"title":"40x30 image on 42x32 Paper","offer_id":26411595969,"sku":"Z173-7P","price":125.0,"currency_code":"USD","in_stock":true},{"title":"48x36 image on 50x38 Paper","offer_id":26411596033,"sku":"Z173-8P","price":190.0,"currency_code":"USD","in_stock":true},{"title":"64x48 image on 66x50 Paper","offer_id":26411596097,"sku":"Z173-9P","price":220.0,"currency_code":"USD","in_stock":true},{"title":"12x9 image on 16x13 Giclée Paper","offer_id":26411596161,"sku":"Z173-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"16x12 image on 20x16 Giclée Paper","offer_id":26411596225,"sku":"Z173-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"20x15 image on 24x19 Giclée Paper","offer_id":26411596289,"sku":"Z173-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"24x18 image on 28x22 Giclée Paper","offer_id":26411596353,"sku":"Z173-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"32x24 image on 36x28 Giclée Paper","offer_id":26411596417,"sku":"Z173-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"36x27 image on 40x31 Giclée Paper","offer_id":26411596481,"sku":"Z173-6G","price":192.0,"currency_code":"USD","in_stock":true},{"title":"40x30 image on 44x34 Giclée Paper","offer_id":26411596545,"sku":"Z173-7G","price":265.0,"currency_code":"USD","in_stock":true},{"title":"48x36 image on 52x40 Giclée Paper","offer_id":26411596609,"sku":"Z173-8G","price":390.0,"currency_code":"USD","in_stock":true},{"title":"64x48 image on 68x52 Giclée Paper","offer_id":26411596673,"sku":"Z173-9G","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/Z173.jpg?v=1599047677"},{"product_id":"jack-saylor-stargazing","title":"Stargazing","description":"© Jack Saylor\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eJack Saylor received a BS degree in painting from Barton College in Wilson\rNorth Carolina. Immediately after graduating he traveled to Spain and Italy where he began his pursuits as an artist while also working as a product designer for Sarreid Ltd., a U.S. based home furnishings importer. For the next 10 years this experience allowed Jack to work side by side with artists and artisans in their centuries old studios throughout Spain and Italy. During this time Jack became very knowledgeable in old world studio practices involving numerous art forms utilized in the creation of the objects he was designing particularly in Florence Italy while at the same time continuing to develop and hone his own painting skills. Living in Florence amongst some of the greatest art ever created afforded Jack the opportunity to study intensely the art of Western Europe particularly the Italian Renaissance which remains a source he draws upon today. After settling down and marrying in the U.S., Jack and his wife Ann moved to the coast of their\rnative state of North Carolina in 1995. The sea, a lifelong passion and constant subject for Jack, would now be his home and would provide a constant feed of inspiration that would inform his work in a way that would not be possible from a distance. Jack and his wife live in the old seaport town of Beaufort, NC whose inlet leads directly out to sea. It is home to many early 18th century houses as well as the 1718 shipwreck believed to be the pirate Blackbeard's flagship \"Queen Anne's Revenge\".  The artwork of Jack Saylor is extensively held in private and corporate collections throughout the country.\r\r\rFor most of my adult life I have lived and painted by the sea, at first because I wanted to and later because I had to. It is my source. As an artist I try to express myself as clearly as I can, while taking myself out of the work and making way for whatever will emerge. I have no interest in presenting some stylistic flourish or flair through brushwork etc. Instead I want to present a crystal clear depiction of the expression I wish to make by way of the craft of painting, not the act of painting. I often approach my subject matter not square-on, but indirectly from an angle of sorts and thus present it in the same manner. 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His Post-Impressionist work hauntingly conveyed through forceful color, aggressive brushwork and contoured forms, the anguish of a mental illness that eventually resulted in suicide.After failing in both his career and love life, van Gogh turned inward, pursuing a position in the ministry. In 1880, disenchanted with priesthood, he discovered art as his new mission. The artist's earliest works were scenes of peasant life, but after a trip to Paris in 1886, where he encountered the works of the Impressionists and the Japanese prints en vogue at the time, he dramatically transformed his style from darkly colored realism to vibrant expressionism.Inspired by the beauty of rural Arles, he moved there in 1888, but continued to struggle with nervous crisis and depression, and after one particularly severe episode, committed himself to an asylum at St. Remy. While hospitalized, he continued to paint and produced one of his most compelling works, The Starry Night. 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He served an apprenticeship with a Boston lithographer, then became a freelance illustrator in New York City. He exhibited at the National Academy of Design in 1860 and was elected a member in 1865. During a stay in France in 1866, he was attracted to French naturalism and Japanese prints, but they had little effect on his generally bright and happy work. He became a master of watercolour and his ability as an oil painter matured; he focused increasingly on solitary, withdrawn figures. He spent 1881 – 82 in the English village of Tynemouth, on the North Sea, where the coastal atmosphere, the sea, and the stoic people are the subjects of some of his most powerful images. In 1883 he moved permanently to Prouts Neck, and his dominant theme became the sea and the endless struggle against an uncaring nature. In his later years he continued to paint vigorously and in near-total isolation. 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The Pendletons were the first successful lithographers in the United States, lithography having only recently been invented in Europe, and Currier learned the process in their shop. He subsequently went to work for M. E. D. Brown in Philadelphia, in 1833. The following year, Currier moved to New York City, where he was to start a new business with John Pendleton. Pendleton backed out, and the new firm became Currier \u0026amp; Stodart, which lasted only one year. In addition to being a lithographer, he was also a volunteer fireman in the 1850s.\r\rIn 1835, Currier started his own lithographic business as an eponymous sole proprietorship. He initially engaged in standard lithographic business of printing sheet music, letterheads, handbills, etc. However, he soon took his work in a new direction, creating pictures of current events. In late 1835, he issued a print illustrating a recent fire in New York. Ruins of the Merchant's Exchange N.Y. after the Destructive Conflagration of Decbr 16 \u0026amp; 17, 1835 was published by the New York Sun, just four days after the fire, and was an early example of illustrated news. In 1840, Currier began to move away from job printing and into independent print publishing. In that year, the Sun published his print Awful Conflagration of the Steam Boat 'Lexington' in Long Island Sound on Monday Eveg Jany 13th 1840, by Which Melancholy Occurrence Over 100 Persons Perished, another documentation of a news event, three days after the disaster; the print sold thousands of copies.\r\rIn 1850, James Ives came to work for Currier's firm as bookkeeper. Ives' skills as a businessman and marketer contributed significantly to the growth of the company; in 1857 he was made a full partner, and the company became known as Currier \u0026amp; Ives. Although best known as creators of popular art prints, such as Christmas scenes, landscapes, or depictions of Victorian urban sophistication, Currier \u0026amp; Ives also produced political cartoons and banners, significant historical scenes, and further illustrations of current events. Over the decades, the firm created roughly 7,500 different images.\r\rNathaniel Currier was a Unitarian who first married Eliza West Farnsworth. The couple had one child, Edward West Currier. In 1847, after Eliza's death, he married Lura Ormsbee.\r\rCurrier retired from his firm in 1880, and turned the business over to his son Edward. 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Kenyon Eckhardt Group\/Madrid, James Walter Thompson\/Madrid, Mc Cann Erickson Group\/Madrid, Ogilvy \u0026amp; Mather\/Madrid, are some multinational advertising agencies where he gained experience and skills in graphics and audiovisual design for more than 20 years. In 1991 he started his own advertising agency in Madrid and worked as Creative Manager until coming to America for the first time in 1999. Throughout his career, he had always been in contact with art: Illustrators, Photographers, Producers, Art Painters, Gallery owners, etc. Carlos built on his history with the arts when he began working as decorative faux finisher. \n\nCarlos had always been comfortable working with many mediums and techniques:  Oils, acrylics, pastels, and photography.  He began working with computers in 1991 where he was able to integrate his artistic skills with advancing technology.  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After receiving his Bachelors degree in Advertising and Marketing in 1980, he started working in advertising agencies as Art Director and later as a Creative Director. Kenyon Eckhardt Group\/Madrid, James Walter Thompson\/Madrid, Mc Cann Erickson Group\/Madrid, Ogilvy \u0026amp; Mather\/Madrid, are some multinational advertising agencies where he gained experience and skills in graphics and audiovisual design for more than 20 years. In 1991 he started his own advertising agency in Madrid and worked as Creative Manager until coming to America for the first time in 1999. Throughout his career, he had always been in contact with art: Illustrators, Photographers, Producers, Art Painters, Gallery owners, etc. Carlos built on his history with the arts when he began working as decorative faux finisher. \r\rCarlos had always been comfortable working with many mediums and techniques:  Oils, acrylics, pastels, and photography.  He began working with computers in 1991 where he was able to integrate his artistic skills with advancing technology.  He considers his style minimalist, using wide-open spaces, symmetric layouts and very conceptual art. \r\rCarlos now lives and works in California as a graphic designer, freelance art director, and Faux Finisher and Muralist with faux marble, Italian finishes, Classic ornamentation and design his specialties.\r","brand":"Carlos Casamayor","offers":[{"title":"10x10 image on 14x11 Paper","offer_id":26412416193,"sku":"C2075-1P","price":15.0,"currency_code":"USD","in_stock":true},{"title":"12x12 image on 19x13 Paper","offer_id":26412416257,"sku":"C2075-2P","price":20.0,"currency_code":"USD","in_stock":true},{"title":"16x16 image on 18x18 Paper","offer_id":26412416321,"sku":"C2075-3P","price":30.0,"currency_code":"USD","in_stock":true},{"title":"20x20 image on 22x22 Paper","offer_id":26412416449,"sku":"C2075-4P","price":35.0,"currency_code":"USD","in_stock":true},{"title":"24x24 image on 26x26 Paper","offer_id":26412416513,"sku":"C2075-5P","price":50.0,"currency_code":"USD","in_stock":true},{"title":"30x30 image on 32x32 Paper","offer_id":26412416577,"sku":"C2075-6P","price":85.0,"currency_code":"USD","in_stock":true},{"title":"36x36 image on 38x38 Paper","offer_id":26412416641,"sku":"C2075-7P","price":125.0,"currency_code":"USD","in_stock":true},{"title":"42x42 image on 44x44 Paper","offer_id":26412416705,"sku":"C2075-8P","price":190.0,"currency_code":"USD","in_stock":true},{"title":"10x10 image on 14x14 Giclée Paper","offer_id":26412416769,"sku":"C2075-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"12x12 image on 16x16 Giclée Paper","offer_id":26412416833,"sku":"C2075-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"16x16 image on 20x20 Giclée Paper","offer_id":26412416897,"sku":"C2075-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"20x20 image on 24x24 Giclée Paper","offer_id":26412416961,"sku":"C2075-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"24x24 image on 28x28 Giclée Paper","offer_id":26412417025,"sku":"C2075-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"30x30 image on 34x34 Giclée Paper","offer_id":26412417089,"sku":"C2075-6G","price":192.0,"currency_code":"USD","in_stock":true},{"title":"36x36 image on 40x40 Giclée Paper","offer_id":26412417153,"sku":"C2075-7G","price":265.0,"currency_code":"USD","in_stock":true},{"title":"42x42 image on 46x46 Giclée Paper","offer_id":26412417217,"sku":"C2075-8G","price":390.0,"currency_code":"USD","in_stock":true},{"title":"10x10 image on 14x14 Unstretched Canvas","offer_id":26412417281,"sku":"C2075-1C","price":30.0,"currency_code":"USD","in_stock":true},{"title":"12x12 image on 16x16 Unstretched Canvas","offer_id":26412417345,"sku":"C2075-2C","price":45.0,"currency_code":"USD","in_stock":true},{"title":"16x16 image on 20x20 Unstretched Canvas","offer_id":26412417409,"sku":"C2075-3C","price":60.0,"currency_code":"USD","in_stock":true},{"title":"20x20 image on 24x24 Unstretched Canvas","offer_id":26412417473,"sku":"C2075-4C","price":80.0,"currency_code":"USD","in_stock":true},{"title":"24x24 image on 28x28 Unstretched Canvas","offer_id":26412417537,"sku":"C2075-5C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"30x30 image on 34x34 Unstretched Canvas","offer_id":26412417665,"sku":"C2075-6C","price":160.0,"currency_code":"USD","in_stock":true},{"title":"36x36 image on 40x40 Unstretched Canvas","offer_id":26412417729,"sku":"C2075-7C","price":220.0,"currency_code":"USD","in_stock":true},{"title":"42x42 image on 46x46 Unstretched Canvas","offer_id":26412417793,"sku":"C2075-8C","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/C2075.jpg?v=1599044000"},{"product_id":"frank-weston-benson-calm-morning-1904","title":"Calm Morning, 1904","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eSunlit summers spent along the rocky coast of Maine with his family inspired the acclaimed series of paintings for which Frank Weston Benson is best remembered. 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Ray is highly regarded for his detailed rural landscapes and antique still lifes. However, he explains, the real subject of my work is not the aging farm buildings, the rustic old mills or the antiqued crocks and jugs. The real subject is their surfaces. \"I am intrigued by the texture of a crumbling stone wall, the splintered wood of an old wagon or the way the light reflects off a piece of hand-turned stoneware‚Ķthe signs of wear and hard use. How many stories they must have to tell‚Äù. Over the years, Ray has developed a number of texturing methods to accurately depict these signs of aging. He compiled many of them in a book titled, \"Texture Techniques for Winning Watercolors‚Äù, published by Northlight and released in November of 1999 (now out of print). Ray' s work has been published, as prints, by Primrose Press, Galaxy of Graphics, and most recently, by Bruce McGaw Graphics. 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