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Matisse’s Fauvist years were superseded by an experimental period, as he abandoned three-dimensional effects in favor of dramatically simplified areas of pure color, flat shape and strong pattern.\n\nAs a man of nervous temperament, he coaxed his anxious tension into serenity through painting. In his later years, Matisse moved into a period of selfless invention, creating his cut-outs carved in colored paper and sometimes collaged into vast pictures. The geometric rightness and color radiance of these pictures sum up his greatest gift: his innate knowledge of how colors and shapes could come to life spectacularly when set in context.","brand":"Henri Matisse","offers":[{"title":"11.4x9.5 image on 14x11 Paper","offer_id":32309513322543,"sku":"M1586pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"20x16.75 image on 24x20 Paper","offer_id":26407559937,"sku":"M1586m","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/M1586.jpg?v=1633480476"},{"product_id":"raoul-dufy-regates-dans-le-port-de-trouville","title":"Regates dans le Port de Trouville","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eFrom Paris to the Riviera, Raoul Dufy's lively watercolors capture the essence and energy of France during the early 20th century.\r\rBorn in LeHavre, Dufy began his studies there, taking night classes at L'cole des Beaux Arts. In 1900, after being awarded a scholarship to pursue his artistic ambitions, the artist moved to Paris and enrolled at the cole Nationale Superieure des Beaux Arts.\r\rWhile the Impressionist-dominated Parisian art scene had a profound impact on Dufy's early landscapes, the artist attended an exhibition of the Salon des Independants of 1905 and was struck by the dazzling colors of Matisse and the Fauvist group. This encounter radically changed the artist's approach to painting. Dufy immediately began to incorporate the lively brush strokes and brilliant color of Fauvism into his work.\r\rWorking primarily in watercolor, the artist developed a signature technique of highly stylized calligraphic drawings accented with washes of bold color. His travels around the Mediterranean provided inspiration for many of the artist's best known paintings and the cheerful theme of the seaside is a recurring motif in his work. These immensely popular works exude spontaneity with their exuberant color and dynamic line.\r\rDufy extended the range of his oeuvre with innovative fabric design, book illustration, ceramics and tapestry. An unparalleled colorist, Dufy's highly decorative works retain a level of freshness and verve that have made them popular with modern audiences. 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Appropriately, it is one of his pictures, Impression: Sunrise, which gave the group of artists painting in this style its name.\r\rBorn in Paris, Monet attended L’Academie Suisse from 1859-60 and subsequently enrolled in the studio of Glenyre, where he met Renoir and Sisley, with whom he formed the nucleus of the Impressionist group. He organized the first Impressionist exhibit in 1874 and became the group’s leader, initiator and unswerving advocate. Monet moved to Giverny in 1883, planting the extensive gardens and lily ponds that would provide the inspiration for his later works.\r\rFrom 1890 he concentrated on a series of pictures in which he painted the same subject at different times of the day in different light. The most popular of these are the Haystacks and Rouen Cathedral series. He continued to travel widely, visiting London and Venice several times, yet increasingly he focused his attention on Giverny. 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His Post-Impressionist work hauntingly conveyed through forceful color, aggressive brushwork and contoured forms, the anguish of a mental illness that eventually resulted in suicide.After failing in both his career and love life, van Gogh turned inward, pursuing a position in the ministry. In 1880, disenchanted with priesthood, he discovered art as his new mission. The artist's earliest works were scenes of peasant life, but after a trip to Paris in 1886, where he encountered the works of the Impressionists and the Japanese prints en vogue at the time, he dramatically transformed his style from darkly colored realism to vibrant expressionism.Inspired by the beauty of rural Arles, he moved there in 1888, but continued to struggle with nervous crisis and depression, and after one particularly severe episode, committed himself to an asylum at St. Remy. While hospitalized, he continued to paint and produced one of his most compelling works, The Starry Night. 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After receiving a degree from the Department of Stage Design, Shanghai Theatre Academy (famous for its Western-style landscape painting training program), he was appointed to teach painting and stage design there. In 1986, he relocated to the United States after receiving an invitation to give his first solo exhibition in New York.\r\rZhen-Huan Lu’s disciplined background in life study, western painting techniques and both western and eastern aesthetics, led to his development of a unique American style of poetic realism that aims to make visible the invisibles through his skillful portrayal of familiar scenes and objects. His training also led him to develop equal skill in watercolor, egg tempera, and oil painting; three disparate and difficult media to master.\r\rAlthough people are never depicted in his landscape paintings, Lu’s keen interest remains in human life and emotions; whether it be rocking chairs on the porch on a lazy afternoon or a pair of oars against an aged beach house, human spirit is always present. Through his masterful technique, Zhen-Huan Lu captures a world beyond the obvious with close-ups and exquisite details.\r\rZhen-Huan Lu’s paintings have been exhibited in museums and galleries throughout the United States and China. \r","brand":"Zhen-Huan Lu","offers":[{"title":"8x12 image on 11x14 Paper","offer_id":26403525185,"sku":"Z201-1P","price":15.0,"currency_code":"USD","in_stock":true},{"title":"12x18 image on 13x19 Paper","offer_id":26403525313,"sku":"Z201-2P","price":20.0,"currency_code":"USD","in_stock":true},{"title":"14x21 image on 16x23 Paper","offer_id":26403525377,"sku":"Z201-3P","price":30.0,"currency_code":"USD","in_stock":true},{"title":"16x24 image on 18x26 Paper","offer_id":26403525441,"sku":"Z201-4P","price":35.0,"currency_code":"USD","in_stock":true},{"title":"24x36 image on 28x40 Paper","offer_id":26403525505,"sku":"Z201r","price":50.0,"currency_code":"USD","in_stock":true},{"title":"30x45 image on 32x47 Paper","offer_id":26403525569,"sku":"Z201-7P","price":125.0,"currency_code":"USD","in_stock":true},{"title":"36x54 image on 38x56 Paper","offer_id":26403525761,"sku":"Z201-8P","price":190.0,"currency_code":"USD","in_stock":true},{"title":"8x12 image on 12x16 Giclée Paper","offer_id":26403525825,"sku":"Z201-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"12x18 image on 16x22 Giclée Paper","offer_id":26403525953,"sku":"Z201-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"14x21 image on 18x25 Giclée Paper","offer_id":26403526081,"sku":"Z201-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"16x24 image on 20x28 Giclée Paper","offer_id":26403526209,"sku":"Z201-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"20x30 image on 24x34 Giclée Paper","offer_id":26403526337,"sku":"Z201-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"24x36 image on 28x40 Giclée Paper","offer_id":26403526465,"sku":"Z201-6G","price":192.0,"currency_code":"USD","in_stock":true},{"title":"30x45 image on 34x49 Giclée Paper","offer_id":26403526593,"sku":"Z201-7G","price":265.0,"currency_code":"USD","in_stock":true},{"title":"36x54 image on 40x58 Giclée Paper","offer_id":26403526657,"sku":"Z201-8G","price":390.0,"currency_code":"USD","in_stock":true},{"title":"16x24 image on 20x28 Unstretched Canvas","offer_id":26403526721,"sku":"Z201-4C","price":80.0,"currency_code":"USD","in_stock":true},{"title":"20x30 image on 24x34 Unstretched Canvas","offer_id":26403526785,"sku":"Z201-5C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"24x36 image on 28x40 Unstretched Canvas","offer_id":26403526977,"sku":"Z201-6C","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/Z201_4accc73b-c414-462a-a3c0-5f976fc6812f.jpg?v=1599000341"},{"product_id":"winslow-homer-breezing-up-a-fair-wind-1873-1876","title":"Breezing Up (A Fair Wind), 1873-1876","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eWinslow Homer (born Feb. 24, 1836, Boston, Mass., U.S. — died Sept. 29, 1910, Prouts Neck, Maine) was an American painter. He served an apprenticeship with a Boston lithographer, then became a freelance illustrator in New York City. He exhibited at the National Academy of Design in 1860 and was elected a member in 1865. During a stay in France in 1866, he was attracted to French naturalism and Japanese prints, but they had little effect on his generally bright and happy work. He became a master of watercolour and his ability as an oil painter matured; he focused increasingly on solitary, withdrawn figures. He spent 1881 – 82 in the English village of Tynemouth, on the North Sea, where the coastal atmosphere, the sea, and the stoic people are the subjects of some of his most powerful images. In 1883 he moved permanently to Prouts Neck, and his dominant theme became the sea and the endless struggle against an uncaring nature. In his later years he continued to paint vigorously and in near-total isolation. Though he was recognized in his lifetime as a leading U.S. painter, appreciation of his enormous achievement came only after his death.\r","brand":"Winslow Homer","offers":[{"title":"7.5x12 image on 11x14 Paper","offer_id":26401632385,"sku":"H2431-1P","price":15.0,"currency_code":"USD","in_stock":true},{"title":"10x16 image on 13x19 Paper","offer_id":26401632449,"sku":"H2431-2P","price":20.0,"currency_code":"USD","in_stock":true},{"title":"12.5x20 image on 14.5x22 Paper","offer_id":26401632513,"sku":"H2431-3P","price":30.0,"currency_code":"USD","in_stock":true},{"title":"15x24 image on 20x28 Paper","offer_id":26401632577,"sku":"H2431m","price":35.0,"currency_code":"USD","in_stock":true},{"title":"20x32 image on 22x34 Paper","offer_id":26401632641,"sku":"H2431-5P","price":50.0,"currency_code":"USD","in_stock":true},{"title":"7.5x12 image on 11.5x16 Giclée Paper","offer_id":26401632705,"sku":"H2431-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"10x16 image on 14x20 Giclée Paper","offer_id":26401632769,"sku":"H2431-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"12.5x20 image on 16.5x24 Giclée Paper","offer_id":26401632833,"sku":"H2431-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"15x24 image on 19x28 Giclée Paper","offer_id":26401632897,"sku":"H2431-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"20x32 image on 24x36 Giclée Paper","offer_id":26401632961,"sku":"H2431-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"7.5x12 image on 11.5x16 Unstretched Canvas","offer_id":26401633025,"sku":"H2431-1C","price":30.0,"currency_code":"USD","in_stock":true},{"title":"10x16 image on 14x20 Unstretched Canvas","offer_id":26401633089,"sku":"H2431-2C","price":45.0,"currency_code":"USD","in_stock":true},{"title":"12.5x20 image on 16.5x24 Unstretched Canvas","offer_id":26401633153,"sku":"H2431-3C","price":60.0,"currency_code":"USD","in_stock":true},{"title":"15x24 image on 19x28 Unstretched Canvas","offer_id":26401633217,"sku":"H2431-4C","price":80.0,"currency_code":"USD","in_stock":true},{"title":"20x32 image on 24x36 Unstretched Canvas","offer_id":26401633281,"sku":"H2431-5C","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/H2431.jpg?v=1599061059"},{"product_id":"fitz-hugh-lane-the-ships-winged-arrow-and-southern-cross-in-boston-harbor-1853","title":"The Ships “Winged Arrow” and “Southern Cross” in Boston Harbor, 1853","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eFitz Hugh Lane was born in Gloucester, Mass., on Dec. 19, 1804. At the age of 2 he contracted polio, which left his legs paralyzed for life. As a youth, he sketched the Massachusetts coastline around Cape Ann. In the mid-1830s his talents came to the attention of the eminent lithographer William Pendleton, who invited Lane to become an apprentice in his Boston firm.\r\rPendleton's shop provided Lane with his only formal training in art. Lane produced several lithographed business cards and music-sheet covers. In 1837 he did his first town views, including the National Lancers on the Boston Common. During this time he also saw exhibitions of 17th-century Dutch art at the Boston Athenaeum, as well as the city and harbor views then being painted by the English artist Robert Salmon. These provided a stimulus for Lane's own early paintings.\r\rLane traveled back and forth between Boston and Gloucester during the late 1830s and early 1840s, then settled permanently in Gloucester in 1848. He did several paintings and lithographs of Gloucester which show a telling sense both for specific details and general effects of light and atmosphere. He was fascinated by the myriad activities along the harbor front and on the water, as revealed in his 1844 View of Gloucester. The painting was subsequently redone as a lithograph.\r\rIn the summer of 1848 Lane made his first cruise along the Maine coast. Thereafter, he and various friends returned almost annually to explore the coast of Penobscot and Blue Hill bays and Mount Desert Island. Lane now began to paint quiet, evocative views, and he preferred to depict the transitional hours of the day, such as sunrise and sunset, rather than to fill his pictures with people, as he had done earlier. He applied his paint more thinly and used a glazing technique to create effects of serenity and stillness. Occasionally a contemplative figure appears, to reinforce the sense of man's spiritual harmony with nature.\r\rAll of Lane's later work possesses this aura of calm and spaciousness. He painted two pure landscapes near Gloucester in 1863, possibly under Martin Johnson Heade's influence. For the most part, however, Lane's life and art were remarkably self-contained, although his light-filled canvases forecast the direction of American landscape painting in subsequent decades. 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At the age of 2 he contracted polio, which left his legs paralyzed for life. As a youth, he sketched the Massachusetts coastline around Cape Ann. In the mid-1830s his talents came to the attention of the eminent lithographer William Pendleton, who invited Lane to become an apprentice in his Boston firm.\r\rPendleton's shop provided Lane with his only formal training in art. Lane produced several lithographed business cards and music-sheet covers. In 1837 he did his first town views, including the National Lancers on the Boston Common. During this time he also saw exhibitions of 17th-century Dutch art at the Boston Athenaeum, as well as the city and harbor views then being painted by the English artist Robert Salmon. These provided a stimulus for Lane's own early paintings.\r\rLane traveled back and forth between Boston and Gloucester during the late 1830s and early 1840s, then settled permanently in Gloucester in 1848. 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His training also led him to develop equal skill in watercolor, egg tempera, and oil painting; three disparate and difficult media to master.\r\rAlthough people are never depicted in his landscape paintings, Lu’s keen interest remains in human life and emotions; whether it be rocking chairs on the porch on a lazy afternoon or a pair of oars against an aged beach house, human spirit is always present. 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After receiving a degree from the Department of Stage Design, Shanghai Theatre Academy (famous for its Western-style landscape painting training program), he was appointed to teach painting and stage design there. In 1986, he relocated to the United States after receiving an invitation to give his first solo exhibition in New York.\r\rZhen-Huan Lu’s disciplined background in life study, western painting techniques and both western and eastern aesthetics, led to his development of a unique American style of poetic realism that aims to make visible the invisibles through his skillful portrayal of familiar scenes and objects. 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Whether depicting pastel flower gardens lining a promenade, brick lanes leading to lake fronts, or boardwalks which invite a walk on the beach, her images suggest the memory of a treasured place.\r\rRomanello’s paintings blend luxuriant and soothing color with sumptuous texture, her brush strokes evident in every image. Her luminous beach scenes, landscapes, gardens and country retreats merge elements of fantasy with realism, accomplished by the artist’s keen sense of light, texture and composition. The artist states, \"I want the viewer to feel as though they can step right into my work.\"\r\rHer images are extremely useable in a variety of settings since she uses soft, muted colors that work in almost any interior. Her versatile prints are easy to frame in either traditional or contemporary frames.\r\rWith her one-person shows consistently selling out, she has established her reputation with selection by private and corporate collections throughout the United States, including AT\u0026amp;T, Columbia Pictures, and Equitable Life Insurance.","brand":"Diane Romanello","offers":[{"title":"24x35 image on 28x38 Paper","offer_id":26411085441,"sku":"R865s","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/R865.jpg?v=1599053427"},{"product_id":"diane-romanello-ocean-surf","title":"Ocean Surf","description":"© Diane Romanello\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eDiane Romanello is a self-taught artist whose scenic paintings are characterized by a sense of beauty and romance, inviting the viewer into a serene, natural world. Whether depicting pastel flower gardens lining a promenade, brick lanes leading to lake fronts, or boardwalks which invite a walk on the beach, her images suggest the memory of a treasured place.\r\rRomanello’s paintings blend luxuriant and soothing color with sumptuous texture, her brush strokes evident in every image. Her luminous beach scenes, landscapes, gardens and country retreats merge elements of fantasy with realism, accomplished by the artist’s keen sense of light, texture and composition. The artist states, \"I want the viewer to feel as though they can step right into my work.\"\r\rHer images are extremely useable in a variety of settings since she uses soft, muted colors that work in almost any interior. 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They met whilst Jane was teaching part-time at college and running her studio Trinity Designs. Claire joined her in 1996 and they have worked together ever since.Both artists bring their own unique style, ranging from hand drawn to painted, collaged and CAD. Both have a love of print, pattern and color and have collaborated with some of the biggest names in the American giftware industry. Their work is regularly exhibited at trade shows in New York, showing design ranges, which include: florals, childrens, Christmas and Thanksgiving. 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At the age of 2 he contracted polio, which left his legs paralyzed for life. As a youth, he sketched the Massachusetts coastline around Cape Ann. In the mid-1830s his talents came to the attention of the eminent lithographer William Pendleton, who invited Lane to become an apprentice in his Boston firm.\r\rPendleton's shop provided Lane with his only formal training in art. Lane produced several lithographed business cards and music-sheet covers. In 1837 he did his first town views, including the National Lancers on the Boston Common. During this time he also saw exhibitions of 17th-century Dutch art at the Boston Athenaeum, as well as the city and harbor views then being painted by the English artist Robert Salmon. These provided a stimulus for Lane's own early paintings.\r\rLane traveled back and forth between Boston and Gloucester during the late 1830s and early 1840s, then settled permanently in Gloucester in 1848. 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The sea, a lifelong passion and constant subject for Jack, would now be his home and would provide a constant feed of inspiration that would inform his work in a way that would not be possible from a distance. Jack and his wife live in the old seaport town of Beaufort, NC whose inlet leads directly out to sea. It is home to many early 18th century houses as well as the 1718 shipwreck believed to be the pirate Blackbeard's flagship \"Queen Anne's Revenge\".  The artwork of Jack Saylor is extensively held in private and corporate collections throughout the country.\r\r\rFor most of my adult life I have lived and painted by the sea, at first because I wanted to and later because I had to. It is my source. As an artist I try to express myself as clearly as I can, while taking myself out of the work and making way for whatever will emerge. 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His Post-Impressionist work hauntingly conveyed through forceful color, aggressive brushwork and contoured forms, the anguish of a mental illness that eventually resulted in suicide.After failing in both his career and love life, van Gogh turned inward, pursuing a position in the ministry. In 1880, disenchanted with priesthood, he discovered art as his new mission. The artist's earliest works were scenes of peasant life, but after a trip to Paris in 1886, where he encountered the works of the Impressionists and the Japanese prints en vogue at the time, he dramatically transformed his style from darkly colored realism to vibrant expressionism.Inspired by the beauty of rural Arles, he moved there in 1888, but continued to struggle with nervous crisis and depression, and after one particularly severe episode, committed himself to an asylum at St. Remy. While hospitalized, he continued to paint and produced one of his most compelling works, The Starry Night. 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He is widely acknowledged to be one of the most important artists in American art history.\r\rFor the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective.\r\rNo less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation.\r\rEakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was controversial figure whose work received little by way of official recognition during his lifetime. 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He exhibited at the National Academy of Design in 1860 and was elected a member in 1865. During a stay in France in 1866, he was attracted to French naturalism and Japanese prints, but they had little effect on his generally bright and happy work. He became a master of watercolour and his ability as an oil painter matured; he focused increasingly on solitary, withdrawn figures. He spent 1881 – 82 in the English village of Tynemouth, on the North Sea, where the coastal atmosphere, the sea, and the stoic people are the subjects of some of his most powerful images. In 1883 he moved permanently to Prouts Neck, and his dominant theme became the sea and the endless struggle against an uncaring nature. In his later years he continued to paint vigorously and in near-total isolation. Though he was recognized in his lifetime as a leading U.S. painter, appreciation of his enormous achievement came only after his death.\r","brand":"Winslow Homer","offers":[{"title":"5x13 image on 11x14 Paper","offer_id":26411745537,"sku":"H1527pf","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/H1527_e1da7d42-7e9a-4a92-8f39-a3341fc64528.jpg?v=1641415294"},{"product_id":"currier-ives-yacht-puritan-of-boston","title":"Yacht “Puritan” of Boston","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003ePhotography was in its infancy in the early 19th century and there were only a handful of newspapers, few magazines and an even smaller number of book publishers. In 1835, Nathanial Currier created his first lithographic print, an image documenting the Planter's Hotel fire in New Orleans. This documentation of a newsworthy event in print initiated a long tradition of capturing social, economic and political events in the medium, available for reproduction.\r\rBefore Currier and his partner, James Merritt Ives, came on the scene, the use of color illustrations was virtually unheard of in the publishing business. Currier and Ives lined up black and white lithographs on long tables and hired women to individually handcolor the images. Although the artists generally supervised the colorists, often the colorist determined the palette.\r\rCurrier and Ives used many different artists to produce the underlying lithographs and many gained worldwide reputations based on the popularity of the prints. Harry T. Peters documented and compiled one of the largest collections of Currier and Ives prints in an effort to preserve the art form for future generations, a collection which he donated to the Museum of the City of New York. 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After receiving a degree from the Department of Stage Design, Shanghai Theatre Academy (famous for its Western-style landscape painting training program), he was appointed to teach painting and stage design there. In 1986, he relocated to the United States after receiving an invitation to give his first solo exhibition in New York.\r\rZhen-Huan Lu’s disciplined background in life study, western painting techniques and both western and eastern aesthetics, led to his development of a unique American style of poetic realism that aims to make visible the invisibles through his skillful portrayal of familiar scenes and objects. 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After receiving a degree from the Department of Stage Design, Shanghai Theatre Academy (famous for its Western-style landscape painting training program), he was appointed to teach painting and stage design there. In 1986, he relocated to the United States after receiving an invitation to give his first solo exhibition in New York.\r\rZhen-Huan Lu’s disciplined background in life study, western painting techniques and both western and eastern aesthetics, led to his development of a unique American style of poetic realism that aims to make visible the invisibles through his skillful portrayal of familiar scenes and objects. 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After receiving his Bachelors degree in Advertising and Marketing in 1980, he started working in advertising agencies as Art Director and later as a Creative Director. Kenyon Eckhardt Group\/Madrid, James Walter Thompson\/Madrid, Mc Cann Erickson Group\/Madrid, Ogilvy \u0026amp; Mather\/Madrid, are some multinational advertising agencies where he gained experience and skills in graphics and audiovisual design for more than 20 years. In 1991 he started his own advertising agency in Madrid and worked as Creative Manager until coming to America for the first time in 1999. Throughout his career, he had always been in contact with art: Illustrators, Photographers, Producers, Art Painters, Gallery owners, etc. Carlos built on his history with the arts when he began working as decorative faux finisher. \r\rCarlos had always been comfortable working with many mediums and techniques:  Oils, acrylics, pastels, and photography.  He began working with computers in 1991 where he was able to integrate his artistic skills with advancing technology.  He considers his style minimalist, using wide-open spaces, symmetric layouts and very conceptual art. \r\rCarlos now lives and works in California as a graphic designer, freelance art director, and Faux Finisher and Muralist with faux marble, Italian finishes, Classic ornamentation and design his specialties.\r","brand":"Carlos Casamayor","offers":[{"title":"8x12 image on 11x14 Paper","offer_id":26412435073,"sku":"C2238-1P","price":15.0,"currency_code":"USD","in_stock":true},{"title":"12x18 image on 13x19 Paper","offer_id":26412435137,"sku":"C2238-2P","price":20.0,"currency_code":"USD","in_stock":true},{"title":"14x21 image on 16x23 Paper","offer_id":26412435265,"sku":"C2238-3P","price":30.0,"currency_code":"USD","in_stock":true},{"title":"16x24 image on 18x26 Paper","offer_id":26412435329,"sku":"C2238-4P","price":35.0,"currency_code":"USD","in_stock":true},{"title":"20x30 image on 22x32 Paper","offer_id":26412435393,"sku":"C2238-5P","price":50.0,"currency_code":"USD","in_stock":true},{"title":"24x36 image on 26x38 Paper","offer_id":26412435457,"sku":"C2238-6P","price":85.0,"currency_code":"USD","in_stock":true},{"title":"8x12 image on 12x16 Giclée Paper","offer_id":26412435521,"sku":"C2238-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"12x18 image on 16x22 Giclée Paper","offer_id":26412435585,"sku":"C2238-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"14x21 image on 18x25 Giclée Paper","offer_id":26412435649,"sku":"C2238-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"16x24 image on 20x28 Giclée Paper","offer_id":26412435713,"sku":"C2238-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"20x30 image on 24x34 Giclée Paper","offer_id":26412435777,"sku":"C2238-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"24x36 image on 28x40 Giclée Paper","offer_id":26412435841,"sku":"C2238-6G","price":192.0,"currency_code":"USD","in_stock":true},{"title":"8x12 image on 12x16 Unstretched Canvas","offer_id":26412435905,"sku":"C2238-1C","price":30.0,"currency_code":"USD","in_stock":true},{"title":"12x18 image on 16x22 Unstretched Canvas","offer_id":26412435969,"sku":"C2238-2C","price":45.0,"currency_code":"USD","in_stock":true},{"title":"14x21 image on 18x25 Unstretched Canvas","offer_id":26412436033,"sku":"C2238-3C","price":60.0,"currency_code":"USD","in_stock":true},{"title":"16x24 image on 20x28 Unstretched Canvas","offer_id":26412436161,"sku":"C2238-4C","price":80.0,"currency_code":"USD","in_stock":true},{"title":"20x30 image on 24x34 Unstretched Canvas","offer_id":26412436353,"sku":"C2238-5C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"24x36 image on 28x40 Unstretched Canvas","offer_id":26412436417,"sku":"C2238-6C","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/C2238.jpg?v=1641496161"},{"product_id":"frank-weston-benson-calm-morning-1904","title":"Calm Morning, 1904","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eSunlit summers spent along the rocky coast of Maine with his family inspired the acclaimed series of paintings for which Frank Weston Benson is best remembered. Benson's paintings of his daughters enjoying the fleeting days of a turn of the century summer holiday provided the artist the opportunity to explore the subtle nuances of light, a favored subject of the Impressionist movement.\r\rBorn in Salem, Massachusetts, Benson attended the School of the Museum of Fine Arts in Boston from 1880 to 1883. In 1883, the artist traveled to Paris with childhood friend and fellow artist Edmund C. Tarbell where both men continued their studies at the Academie Julian. Returning to the United States, Benson taught at the Portland School of Art and later at the Museum School in Boston with Tarbell.\r\rBenson was accomplished in a variety of media including watercolor, pastel, aquatint and engraving and was a founding member of \"The Ten,\" a group of ten well known American Impressionist painters from New York and Boston who exhibited together for nearly twenty years. Like his French counterparts, Benson frequently painted outdoors to capture the dynamic character of light. In the late 1890s the artist accepted a prestigious commission to work on the decoration of the Library of Congress and completed murals of Fours Seasons and Three Graces for the project. 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The demand for his canvases increased steadily and in 1966, he left advertising to devote himself totally to painting.  He is the recipient of over 25 awards, including the Solomon R. Guggenheim Award given by the Salmagundi Club of N.Y.  He has had many successful one-man shows in leading galleries across America.  His work has been in museum shows and on magazine covers.  Some of his paintings hang in important private collections as well as the corporate collections of IBM, Chase, CBS, Raymond James and many others.  With the advent of the publishing of his work as limited editions and posters, he is now one of the most collected artists in America.  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