{"title":"Summer","description":"","products":[{"product_id":"claude-monet-poppy-field-1881","title":"Poppy Field, 1881","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eOscar Claude Monet is considered the archetypal Impressionist, with his devotion to painting the transient effects of light and color \"en plein air\" unwaveringly throughout his long career. Appropriately, it is one of his pictures, Impression: Sunrise, which gave the group of artists painting in this style its name.\r\rBorn in Paris, Monet attended L’Academie Suisse from 1859-60 and subsequently enrolled in the studio of Glenyre, where he met Renoir and Sisley, with whom he formed the nucleus of the Impressionist group. He organized the first Impressionist exhibit in 1874 and became the group’s leader, initiator and unswerving advocate. Monet moved to Giverny in 1883, planting the extensive gardens and lily ponds that would provide the inspiration for his later works.\r\rFrom 1890 he concentrated on a series of pictures in which he painted the same subject at different times of the day in different light. The most popular of these are the Haystacks and Rouen Cathedral series. He continued to travel widely, visiting London and Venice several times, yet increasingly he focused his attention on Giverny. 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Coastal environments throughout the U.S., South America, the Caribbean and Europe are favorites.\nMary Lou loves travel and the pursuit of the initial image as well as her unique creative digital painting process to bring the image to where she envisions it should be.  Personally and spiritually, the process is challenging and fulfilling.  She supports conservation of our natural world and strives to encourage others to observe and preserve the beauty around us.  With her images, collectors around the world bring exquisite outdoor scenes into their personal home and work spaces. \nArt honors and awards include juried local, state, national and international competitions. Most recently, her fine art exhibition was in NYC at the International ArtExpoNY.  Mary Lou was a Finalist in NY Times Square International Competition and a Finalist in Photographer of the Year for Popular Photography Magazine. Her images have been featured in The PPA Showcase, the annual book of Professional Photographers of America, Shutterbug Photography Magazine, Southern Boating, Sarasota Herald, Siesta Observer, Longboat Key Observer, Longboat Key News, and numerous other magazines and newspapers including the cover of the Sarasota Magazine. \nMary Lou’s fine art coffee table book, The Lure of Longboat Key, sold out in 8 months and is in its second printing.  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He served an apprenticeship with a Boston lithographer, then became a freelance illustrator in New York City. He exhibited at the National Academy of Design in 1860 and was elected a member in 1865. During a stay in France in 1866, he was attracted to French naturalism and Japanese prints, but they had little effect on his generally bright and happy work. He became a master of watercolour and his ability as an oil painter matured; he focused increasingly on solitary, withdrawn figures. He spent 1881 – 82 in the English village of Tynemouth, on the North Sea, where the coastal atmosphere, the sea, and the stoic people are the subjects of some of his most powerful images. In 1883 he moved permanently to Prouts Neck, and his dominant theme became the sea and the endless struggle against an uncaring nature. In his later years he continued to paint vigorously and in near-total isolation. Though he was recognized in his lifetime as a leading U.S. painter, appreciation of his enormous achievement came only after his death.\r","brand":"Winslow Homer","offers":[{"title":"10x8 image on 14x11 Paper","offer_id":26363008257,"sku":"H2766pf","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/H2766.jpg?v=1599037685"},{"product_id":"winslow-homer-on-the-stile-1878","title":"On the Stile, 1878","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eWinslow Homer (born Feb. 24, 1836, Boston, Mass., U.S. — died Sept. 29, 1910, Prouts Neck, Maine) was an American painter. He served an apprenticeship with a Boston lithographer, then became a freelance illustrator in New York City. He exhibited at the National Academy of Design in 1860 and was elected a member in 1865. 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In 1900, after being awarded a scholarship to pursue his artistic ambitions, the artist moved to Paris and enrolled at the cole Nationale Superieure des Beaux Arts.\r\rWhile the Impressionist-dominated Parisian art scene had a profound impact on Dufy's early landscapes, the artist attended an exhibition of the Salon des Independants of 1905 and was struck by the dazzling colors of Matisse and the Fauvist group. This encounter radically changed the artist's approach to painting. Dufy immediately began to incorporate the lively brush strokes and brilliant color of Fauvism into his work.\r\rWorking primarily in watercolor, the artist developed a signature technique of highly stylized calligraphic drawings accented with washes of bold color. His travels around the Mediterranean provided inspiration for many of the artist's best known paintings and the cheerful theme of the seaside is a recurring motif in his work. These immensely popular works exude spontaneity with their exuberant color and dynamic line.\r\rDufy extended the range of his oeuvre with innovative fabric design, book illustration, ceramics and tapestry. An unparalleled colorist, Dufy's highly decorative works retain a level of freshness and verve that have made them popular with modern audiences. 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For the next 10 years this experience allowed Jack to work side by side with artists and artisans in their centuries old studios throughout Spain and Italy. During this time Jack became very knowledgeable in old world studio practices involving numerous art forms utilized in the creation of the objects he was designing particularly in Florence Italy while at the same time continuing to develop and hone his own painting skills. Living in Florence amongst some of the greatest art ever created afforded Jack the opportunity to study intensely the art of Western Europe particularly the Italian Renaissance which remains a source he draws upon today. After settling down and marrying in the U.S., Jack and his wife Ann moved to the coast of their\rnative state of North Carolina in 1995. The sea, a lifelong passion and constant subject for Jack, would now be his home and would provide a constant feed of inspiration that would inform his work in a way that would not be possible from a distance. Jack and his wife live in the old seaport town of Beaufort, NC whose inlet leads directly out to sea. It is home to many early 18th century houses as well as the 1718 shipwreck believed to be the pirate Blackbeard's flagship \"Queen Anne's Revenge\".  The artwork of Jack Saylor is extensively held in private and corporate collections throughout the country.\r\r\rFor most of my adult life I have lived and painted by the sea, at first because I wanted to and later because I had to. It is my source. As an artist I try to express myself as clearly as I can, while taking myself out of the work and making way for whatever will emerge. I have no interest in presenting some stylistic flourish or flair through brushwork etc. Instead I want to present a crystal clear depiction of the expression I wish to make by way of the craft of painting, not the act of painting. I often approach my subject matter not square-on, but indirectly from an angle of sorts and thus present it in the same manner. I believe that suggesting a subject can be infinitely more powerful than depicting it entirely and it is through this approach that a viewer can be enticed into creating the unseen parts by way of their own experiences and at that point the dimensions of the work become limitless.\r\r\r","brand":"Jack Saylor","offers":[{"title":"8x12 image on 11x14 Paper","offer_id":26402877633,"sku":"S1649-1P","price":15.0,"currency_code":"USD","in_stock":true},{"title":"12x18 image on 13x19 Paper","offer_id":26402877697,"sku":"S1649-2P","price":20.0,"currency_code":"USD","in_stock":true},{"title":"14x21 image on 16x23 Paper","offer_id":26402877761,"sku":"S1649-3P","price":30.0,"currency_code":"USD","in_stock":true},{"title":"16x24 image on 18x26 Paper","offer_id":26402877825,"sku":"S1649-4P","price":35.0,"currency_code":"USD","in_stock":true},{"title":"24x36 image on 24x36 Paper","offer_id":26402877889,"sku":"S1649t","price":60.0,"currency_code":"USD","in_stock":true},{"title":"30x45 image on 32x47 Paper","offer_id":26402877953,"sku":"S1649-7P","price":125.0,"currency_code":"USD","in_stock":true},{"title":"36x54 image on 38x56 Paper","offer_id":26402878017,"sku":"S1649-8P","price":190.0,"currency_code":"USD","in_stock":true},{"title":"44x66 image on 46x68 Paper","offer_id":26402878081,"sku":"S1649-9P","price":220.0,"currency_code":"USD","in_stock":true},{"title":"8x12 image on 12x16 Giclée Paper","offer_id":26402878145,"sku":"S1649-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"12x18 image on 16x22 Giclée Paper","offer_id":26402878209,"sku":"S1649-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"14x21 image on 18x25 Giclée Paper","offer_id":26402878273,"sku":"S1649-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"16x24 image on 20x28 Giclée Paper","offer_id":26402878401,"sku":"S1649-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"20x30 image on 24x34 Giclée Paper","offer_id":26402878465,"sku":"S1649-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"24x36 image on 28x40 Giclée Paper","offer_id":26402878529,"sku":"S1649-6G","price":192.0,"currency_code":"USD","in_stock":true},{"title":"30x45 image on 34x49 Giclée Paper","offer_id":26402878593,"sku":"S1649-7G","price":265.0,"currency_code":"USD","in_stock":true},{"title":"36x54 image on 40x58 Giclée Paper","offer_id":26402878657,"sku":"S1649-8G","price":390.0,"currency_code":"USD","in_stock":true},{"title":"44x66 image on 48x70 Giclée Paper","offer_id":26402878721,"sku":"S1649-9G","price":450.0,"currency_code":"USD","in_stock":true},{"title":"8x12 image on 12x16 Unstretched Canvas","offer_id":26402878785,"sku":"S1649-1C","price":30.0,"currency_code":"USD","in_stock":true},{"title":"12x18 image on 16x22 Unstretched Canvas","offer_id":26402878849,"sku":"S1649-2C","price":45.0,"currency_code":"USD","in_stock":true},{"title":"14x21 image on 18x25 Unstretched Canvas","offer_id":26402878913,"sku":"S1649-3C","price":60.0,"currency_code":"USD","in_stock":true},{"title":"16x24 image on 20x28 Unstretched Canvas","offer_id":26402878977,"sku":"S1649-4C","price":80.0,"currency_code":"USD","in_stock":true},{"title":"20x30 image on 24x34 Unstretched Canvas","offer_id":26402879041,"sku":"S1649-5C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"24x36 image on 28x40 Unstretched Canvas","offer_id":26402879105,"sku":"S1649-6C","price":160.0,"currency_code":"USD","in_stock":true},{"title":"30x45 image on 34x49 Unstretched Canvas","offer_id":26402879169,"sku":"S1649-7C","price":220.0,"currency_code":"USD","in_stock":true},{"title":"36x54 image on 40x58 Unstretched Canvas","offer_id":26402879233,"sku":"S1649-8C","price":325.0,"currency_code":"USD","in_stock":true},{"title":"44x66 image on 48x70 Unstretched Canvas","offer_id":26402879297,"sku":"S1649-9C","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/S1649_91ab48ec-f57e-43d7-9af2-d8f28bb1a230.jpg?v=1633480534"},{"product_id":"zhen-huan-lu-dock-house","title":"Dock House","description":"© Zhen-Huan Lu\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eZhen-Huan Lu is an American artist of Chinese descent.  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As he studied the Renaissance master’s paintings his thoughts were only on how much he enjoyed doing it.  In his twenties, this Minnesota native began concentrating on painting animals and wildlife, discovering that people really appreciated the realism and natural beauty he brought to his subjects.  He painted wildlife in natural settings, bringing the viewer into remote scenes untouched by humankind.  Now Kevin has returned to the romantic creativeness of the masters’ portraits he studied as a teen.  He has turned his camera on family and friends to feature real people in his paintings.  Kevin has become increasingly interested in children as subjects for his portraits because he senses in them an innocence and carefree existence that is readily identifiable.  Kevin recalls real life situations to bring the most honesty he can to his imagined settings.  If people feel as excited about viewing his paintings as he does when creating them, he is satisfied.\r\rInspired by the vastness of beauty and grace in nature, Kevin Daniel has focused on painting wildlife in their nature surroundings, discovering in the process, that people are drawn to and appreciate the realism and authenticity he brings to his subjects.  His paintings take the viewer into remote environs untouched by humankind, deep into forests full of wildlife or high into the mountains where vistas leave you breathless.\r\rKevin draws from real life scenes in order to bring the utmost honesty and realism he can to his imagined settings. The result is a new series of paintings full of wonder and preciously captured moments in time; wonders of nature that may be cherished for eternity. 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After receiving a degree from the Department of Stage Design, Shanghai Theatre Academy (famous for its Western-style landscape painting training program), he was appointed to teach painting and stage design there. In 1986, he relocated to the United States after receiving an invitation to give his first solo exhibition in New York.\r\rZhen-Huan Lu’s disciplined background in life study, western painting techniques and both western and eastern aesthetics, led to his development of a unique American style of poetic realism that aims to make visible the invisibles through his skillful portrayal of familiar scenes and objects. His training also led him to develop equal skill in watercolor, egg tempera, and oil painting; three disparate and difficult media to master.\r\rAlthough people are never depicted in his landscape paintings, Lu’s keen interest remains in human life and emotions; whether it be rocking chairs on the porch on a lazy afternoon or a pair of oars against an aged beach house, human spirit is always present. 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For Brian Leighton, finding beauty in the details of things is the focus of his exceptional photography. His celebrated work in nudes, for example, encourages his viewer to take a closer look at his unique perspective.\r\rIn fact, Leighton was named \"Best Nude Portrait Photographer\" in New York Magazine's Best of 2004. \"Leighton makes such vividly imagined, crisp, personal black and white portraits.\" (New York Magazine's Best of New York).\r\rVitals Woman magazine picked Leighton as the best in nude portrait commissions in March 2005.\r\r\"More evocative of Ansel Adams than Playboy, Mr. Leighton's black-and-white nudes usually make their subjects look good, even in the flesh....Through his eye, the subjects see their body made into art.\" (Joyce Chang, The New York Times Sunday Styles, February 2, 2003).\r\rIn his most recent work, Leighton moves from exploring the anatomy of the human form to the anatomy of flowers, drawing distinct parallels as he captures the macro details of nature's most extraordinary shapes.\r\rThis body of work, which he refers to as \"Mesh Screens\", explores the vibrant colors and exquisite contours of the flowers while revealing nature's most hidden detail: movement. The actual texture of his flowers comes to life through a unique process of printing the images on archival screen material. When combined with light, the result is an iridescent, almost plasma-screen effect that imitates the graceful and subtle movements of the flower itself.\r\r\"Leighton has risen to the fore in New York City with art photography that has captured the attention of the media, gallery owners and collectors throughout the world.\"(Jean McKig, The Desert Sun).\r\rLeighton's sensual and graphic work has been exhibited in select galleries, including Yossi Milo (NYC), Holden Luntz Gallery (Palm Beach, FL) Kenneth Winslow Gallery (NYC), The Pearl (Stone Ridge, N.Y.) and Desert Art Source, (Palm Desert, CA) and is regularly included in group shows and designer showhouses in New York City and across the country. 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For Brian Leighton, finding beauty in the details of things is the focus of his exceptional photography. His celebrated work in nudes, for example, encourages his viewer to take a closer look at his unique perspective.\r\rIn fact, Leighton was named \"Best Nude Portrait Photographer\" in New York Magazine's Best of 2004. \"Leighton makes such vividly imagined, crisp, personal black and white portraits.\" (New York Magazine's Best of New York).\r\rVitals Woman magazine picked Leighton as the best in nude portrait commissions in March 2005.\r\r\"More evocative of Ansel Adams than Playboy, Mr. Leighton's black-and-white nudes usually make their subjects look good, even in the flesh....Through his eye, the subjects see their body made into art.\" (Joyce Chang, The New York Times Sunday Styles, February 2, 2003).\r\rIn his most recent work, Leighton moves from exploring the anatomy of the human form to the anatomy of flowers, drawing distinct parallels as he captures the macro details of nature's most extraordinary shapes.\r\rThis body of work, which he refers to as \"Mesh Screens\", explores the vibrant colors and exquisite contours of the flowers while revealing nature's most hidden detail: movement. The actual texture of his flowers comes to life through a unique process of printing the images on archival screen material. When combined with light, the result is an iridescent, almost plasma-screen effect that imitates the graceful and subtle movements of the flower itself.\r\r\"Leighton has risen to the fore in New York City with art photography that has captured the attention of the media, gallery owners and collectors throughout the world.\"(Jean McKig, The Desert Sun).\r\rLeighton's sensual and graphic work has been exhibited in select galleries, including Yossi Milo (NYC), Holden Luntz Gallery (Palm Beach, FL) Kenneth Winslow Gallery (NYC), The Pearl (Stone Ridge, N.Y.) and Desert Art Source, (Palm Desert, CA) and is regularly included in group shows and designer showhouses in New York City and across the country. 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