{"title":"Top 16 of 2016","description":"","products":[{"product_id":"andy-warhol-marilyn-1967-on-blue-ground","title":"Marilyn, 1967 (on blue ground)","description":"©\/®\/™ 2026\n The\n Andy Warhol Foundation for the Visual Arts, Inc. Marilyn Monroe™ is a trademark of The Estate of Marilyn Monroe LLC. Rights of Publicity and Persona Rights are used with the permission of The Estate of Marilyn Monroe LLC. marilynmonroe.com \n\u003chr\u003e\n\u003ch3\u003eAbout the Artist\u003c\/h3\u003eAndy Warhol was born Andrew Warhola in Pittsburgh, Pennsylvania, in 1928. In 1945 he entered the Carnegie Institute of Technology (now Carnegie Mellon University) where he majored in pictorial design. Upon graduation, Warhol moved to New York where he found steady work as a commercial artist. He worked as an illustrator for several magazines including Vogue, Harper's Bazaar and The New Yorker and did advertising and window displays for retail stores such as Bonwit Teller and I. Miller. Prophetically, his first assignment was for Glamour magazine for an article titled \"Success is a Job in New York.\"\n\nThroughout the 1950s, Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Director's Club and the American Institute of Graphic Arts. In these early years, he shortened his name to \"Warhol.\" In 1952, the artist had his first individual show at the Hugo Gallery, exhibiting Fifteen Drawings Based on the Writings of Truman Capote. His work was exhibited in several other venues during the 1950s, including his first group show at The Museum of Modern Art in 1956.\n\nThe 1960s was an extremely prolific decade for Warhol. Appropriating images from popular culture, Warhol created many paintings that remain icons of 20th-century art, such as the Campbell's Soup Cans, Disasters and Marilyns. In addition to painting, Warhol made several 16mm films, which have become underground classics such as Chelsea Girls, Empire and Blow Job. In 1968, Valerie Solanis, founder and sole member of SCUM (Society for Cutting Up Men) walked into Warhol's studio, known as the Factory, and shot the artist. The attack was nearly fatal.\n\nAt the start of the 1970s, Warhol began publishing Interview magazine and renewed his focus on painting. Works created in this decade include Maos, Skulls, Hammer and Sickles, Torsos and Shadows and many commissioned portraits. Warhol also published The Philosophy of Andy Warhol (from A to B and Back Again). Firmly established as a major 20th-century artist and international celebrity, Warhol exhibited his work extensively in museums and galleries around the world.\n\nThe artist began the 1980s with the publication of POPism: The Warhol '60s and with exhibitions of Portraits of Jews of the Twentieth Century and the Retrospectives and Reversal series. He also created two cable television shows, \"Andy Warhol's TV\" in 1982 and \"Andy Warhol's Fifteen Minutes\" for MTV in 1986. His paintings from the 1980s include The Last Suppers, Rorschachs and, in a return to his first great theme of Pop, a series called Ads. Warhol also engaged in a series of collaborations with younger artists, including Jean-Michel Basquiat, Francesco Clemente and Keith Haring.\n\nFollowing routine gall bladder surgery, Andy Warhol died February 22, 1987. After his burial in Pittsburgh, his friends and associates organized a memorial mass at St. Patrick's Cathedral in New York that was attended by more than 2,000 people.\n\nIn late 1987, The Andy Warhol Foundation for the Visual Arts was duly incorporated in accordance with Warhol’s will, whose mission is for the advancement of the visual arts. In 1989, the Museum of Modern Art in New York had a major retrospective of his works.\n\nFinally, The Andy Warhol Museum opened in Pittsburgh, Pennsylvania, in May 1994.","brand":"Andy Warhol","offers":[{"title":"10x10 image on 14x11 Paper","offer_id":26363315073,"sku":"W1803pfb","price":15.0,"currency_code":"USD","in_stock":true},{"title":"12x12 image on 12x12 Paper","offer_id":26363315137,"sku":"W1803sqd","price":20.0,"currency_code":"USD","in_stock":true},{"title":"20x20 image on 22x22 Paper","offer_id":26363315201,"sku":"W1803-4P","price":35.0,"currency_code":"USD","in_stock":true},{"title":"24x24 image on 24x24 Paper","offer_id":26363315265,"sku":"W1803s","price":60.0,"currency_code":"USD","in_stock":true},{"title":"30x30 image on 32x32 Paper","offer_id":26363315329,"sku":"W1803-6P","price":85.0,"currency_code":"USD","in_stock":true},{"title":"10x10 image on 14x14 Giclée Paper","offer_id":26363315393,"sku":"W1803-1G","price":36.0,"currency_code":"USD","in_stock":true},{"title":"12x12 image on 16x16 Giclée Paper","offer_id":26363315457,"sku":"W1803-2G","price":54.0,"currency_code":"USD","in_stock":true},{"title":"16x16 image on 20x20 Giclée Paper","offer_id":26363315521,"sku":"W1803-3G","price":72.0,"currency_code":"USD","in_stock":true},{"title":"20x20 image on 24x24 Giclée Paper","offer_id":26363315585,"sku":"W1803-4G","price":96.0,"currency_code":"USD","in_stock":true},{"title":"24x24 image on 28x28 Giclée Paper","offer_id":26363315649,"sku":"W1803-5G","price":150.0,"currency_code":"USD","in_stock":true},{"title":"30x30 image on 34x34 Giclée Paper","offer_id":26363315713,"sku":"W1803-6G","price":192.0,"currency_code":"USD","in_stock":true},{"title":"42x42 image on 46x46 Giclée Paper","offer_id":26363315777,"sku":"W1803-8G","price":390.0,"currency_code":"USD","in_stock":true},{"title":"52x52 image on 56x56 Giclée Paper","offer_id":26363315841,"sku":"W1803-9G","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/W1803_38da5b17-1fe0-4f40-9150-5925892b4296.jpg?v=1597348082"},{"product_id":"edward-hopper-automat-1927","title":"Automat, 1927","description":"Poster © 2026\n McGaw Graphics, Inc.\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eEdward Hopper (b. July 22, 1882, Nyack, N.Y., U.S. — d. May 15, 1967, New York, N.Y.) was an American painter. He was initially trained as an illustrator but later studied painting with Robert Henri. In 1913 he exhibited in the Armory Show but spent much of his time on advertising art and illustrative etchings. In the mid 1920s he turned to watercolours and oil paintings of urban life. His House by the Railroad (1925) and Room in Brooklyn (1932) depict still, anonymous figures within geometric building forms, producing the haunting sense of isolation that was to be his hallmark. He used light to isolate figures and objects, as in Early Sunday Morning (1930) and Nighthawks (1942). His mature style was already formed in the 1920s; his later development showed constant refinement and an even greater mastery of light.","brand":"Edward Hopper","offers":[{"title":"8x10 image on 11x14 Paper","offer_id":26362893313,"sku":"H2764pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"16x20 image on 20x24 Paper","offer_id":26362893377,"sku":"H2764m","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/H2764pf.jpg?v=1599037673"},{"product_id":"richard-diebenkorn-ocean-park-no-68-1974","title":"Ocean Park No. 68, 1974","description":"\u003cp\u003e© 2026 The Richard Diebenkorn Foundation\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eAbout the Artist\u003c\/h3\u003e\n\u003cp\u003eRichard Clifford Diebenkorn, Jr. (April 22, 1922 – March 30, 1993) was a well-known 20th century American painter. Diebenkorn was born in Portland, Oregon; his family moved to San Francisco, California when he was two. In 1940, Diebenkorn entered Stanford University. At first, he painted and drew in a representational style that was in a large part influenced by Edward Hopper. However, during the late 1940s and early 1950s he lived and worked in various places: New York City, Woodstock, New York, Albuquerque, New Mexico, Urbana, Illinois, Berkeley, California and he developed his own style of abstract expressionist painting. Abstract expressionism had captured worldwide attention having developed in New York during the 1940s. After the Second World War the focus of the art world shifted from the School of Paris to the New York School. In the early 1950s Diebenkorn adopted abstract expressionism as his vehicle for self-expression, influenced at first by Clyfford Still, Arshile Gorky and Willem de Kooning. He became a leading abstract expressionist on the west coast. In 1950 to 1952, Diebenkorn was enrolled under the G.I. Bill in the University of New Mexico’s graduate fine-arts department where he created a lucid version of Abstract Expressionism. He lived in Berkeley, California from 1955 to 1966. By the mid-1950s Diebenkorn had become an important figurative painter, in a style that bridged Henri Matisse with abstract expressionism. Diebenkorn, Elmer Bischoff, David Park, James Weeks, and others participated in a renaissance of figurative painting, dubbed the Bay Area Figurative Movement. In 1965 Diebenkorn was granted a cultural visa to visit and view Henri Matisse paintings in important Soviet museums. When he returned to painting in the Bay Area in mid-1965 his resulting works summed up all that he had learned from his more than a decade as a leading figurative painter. In 1967 Diebenkorn returned to abstraction, this time in a distinctly personal, geometric style that clearly departed from his early abstract expressionist period. The \"Ocean Park\" series, began in 1967 and developed for over twenty-five years, became his most famous work and resulted in more than 140 paintings. Based on the aerial landscape and perhaps the view from the window of his studio, these large-scale abstract compositions are named after a community in Santa Monica, California, where he had his studio. The Ocean Park series bridges his earlier abstract expressionist works with Color field painting and Lyrical Abstraction. He taught at this time at UCLA. Richard Diebenkorn died due to complications from emphysema in Berkeley on March 30, 1993.\u003c\/p\u003e","brand":"Richard Diebenkorn","offers":[{"title":"9x10 image on 11x14 Paper","offer_id":26362896065,"sku":"D2768pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"22x25 image on 28x27 Paper","offer_id":26362896129,"sku":"D2768t","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/D2768.jpg?v=1637090633"},{"product_id":"georgia-okeeffe-from-the-lake-no-1-1924","title":"From the Lake No.1, 1924","description":"© 2026\n Georgia O’Keeffe Museum \/ Artists Rights Society (ARS), New York\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eThe bold, poetic flower forms of Georgia O’Keeffe have become modern American classics. Working in an exaggerated scale, O’Keeffe achieved timeless abstractions by reducing her subjects to their simplest form and color.Born in Sun Prairie, Wisconsin, O’Keeffe studied at the Art Institute of Chicago and later at the New York Art Students League under the direction of William Merritt Chase. At a time when women were strongly discouraged from pursuing careers, O’Keeffe embarked on a path that ultimately led to her recognition as the pre-eminent female American artist of the 20th century. Her work was first exhibited in 1917 by renowned photographer Alfred Steiglitz at his 291 Gallery in New York, where it created a sensation. She later married Steiglitz, whose unflagging support enabled O’Keeffe to focus on her extraordinary artistic talents.The artist spent the last forty years of her life in the desert of New Mexico finding inspiration in the rugged splendor of her surroundings. O’Keeffe was the recipient of numerous honors and awards during her lifetime, notably the United States Medal of Freedom in 1977.","brand":"Georgia O'Keeffe","offers":[{"title":"12x10 image on 14x11 Paper","offer_id":26362999297,"sku":"O455pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"24x20 image on 30x24 Paper","offer_id":26362999361,"sku":"O455r","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/O455.jpg?v=1634057069"},{"product_id":"mark-rothko-light-over-gray-1956","title":"Light over Gray, 1956","description":"© 1998 Kate Rothko Prizel \u0026amp; Christopher Rothko \/ Artists Rights Society (ARS), New York \r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eThe totally abstract paintings by Rothko did not suddenly emerge as the result of one idea. His work was the result of many years of looking at other artwork, including Greek vases with horizontal bands of figures, Native American art with its spiritual qualities, and the work of the European Surrealists. By 1949, his preferred format was an upright rectangular canvas or paper with two or three stacked rectangular forms varying in area but free of the picture edge. The colored bands, which he felt must be \"sensuous or functional,\" took on a wide range of hues to which Rothko added lightness or darkness, translucency or opacity, high or low saturation, smooth or brushy textures, and contrasts of color area.\r\rBorn Marcus Rothkowitz in Dvinsk, Russia, he immigrated to the United States in 1913 with his family. He adopted the name Rothko in 1940, and legally changed it in 1958. His work has been compared to that of his teacher and mentor, Joseph Albers, although their paintings had little in common. Albers’ work was intellectual, while Rothko’s was emotional. Increasingly, his work darkened as he grew older and his last paintings and large works on paper are simple and somber, perhaps a metaphor for his decision to end his own life.","brand":"Mark Rothko","offers":[{"title":"12x9 image on 14x11 Paper","offer_id":26363016961,"sku":"R2889pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"24x18 image on 28x22 Paper","offer_id":26363017025,"sku":"R2889p","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/R2889.jpg?v=1634910881"},{"product_id":"john-singer-sargent-a-bridge-and-campanile-venice-1902-04","title":"A Bridge and Campanile, Venice, 1902\/04","description":"Image is Copyrighted and Property of its respective owner\r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eJohn Singer Sargent, an American painter, was born in Italy but spent most of his adult life in London. His work crossed the boundaries between Impressionism and Naturalism. He frequently mingled with the Impressionists, but was viewed by them with much skepticism. They admired his technical abilities but dismissed his seriousness as an Impressionist. Monet was the only artist of the group who befriended Sargent, acting as a mentor and confidant.\r\rLater in his career, Sargent created scenic watercolors, moving away from portraiture. These later images are a welcome diversion from some of his more serious figurative works","brand":"John Singer Sargent","offers":[{"title":"10x7 image on 14x11 Paper","offer_id":26363017793,"sku":"S2675pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"20x14.25 image on 24x18 Paper","offer_id":26363017921,"sku":"S2675m","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/john-singer-sargent-a-bridge-and-campanile-venice-190204-mcgaw-graphics-916614.jpg?v=1619537091"},{"product_id":"georgia-okeeffe-pink-tulip-1926","title":"Pink Tulip, 1926","description":"© 2026\n Georgia O’Keeffe Museum \/ Artists Rights Society (ARS), New York\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eThe bold, poetic flower forms of Georgia O’Keeffe have become modern American classics. Working in an exaggerated scale, O’Keeffe achieved timeless abstractions by reducing her subjects to their simplest form and color.Born in Sun Prairie, Wisconsin, O’Keeffe studied at the Art Institute of Chicago and later at the New York Art Students League under the direction of William Merritt Chase. At a time when women were strongly discouraged from pursuing careers, O’Keeffe embarked on a path that ultimately led to her recognition as the pre-eminent female American artist of the 20th century. Her work was first exhibited in 1917 by renowned photographer Alfred Steiglitz at his 291 Gallery in New York, where it created a sensation. She later married Steiglitz, whose unflagging support enabled O’Keeffe to focus on her extraordinary artistic talents.The artist spent the last forty years of her life in the desert of New Mexico finding inspiration in the rugged splendor of her surroundings. O’Keeffe was the recipient of numerous honors and awards during her lifetime, notably the United States Medal of Freedom in 1977.","brand":"Georgia O'Keeffe","offers":[{"title":"12x10 image on 14x11 Paper","offer_id":26404834241,"sku":"O457pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"24x20 image on 30x24 Paper","offer_id":26404834305,"sku":"O457r","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/O457.jpg?v=1634056374"},{"product_id":"morris-louis-point-of-tranquility-1959-1960","title":"Point of Tranquility, (1959-1960)","description":"© 2026\n Maryland Institute College of Art (MICA), Rights Administered by Artist Rights Society (ARS), New York, All Rights Reserved.\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eMorris Louis (born Nov. 24, 1912, Baltimore, Md., U.S. — died Sept. 7, 1962, Washington, D.C.) was an American painter. He studied painting at the Maryland Institute and worked as an easel painter for the WPA Federal Art Project. Inspired by Helen Frankenthaler's colour stain technique, in 1954 he began a series of paintings titled Veils, featuring stained vertical waves of colour; these works had an impersonal, nonpainterly quality. During this period he became associated with the New York school of Abstract Expressionism. His later work featured diagonal parallel streams of colour that flowed across the bottom corners of the picture plane. In his last series, Stripes, bunched, straight vertical bands of colour are surrounded by empty canvas. Morris Louis was diagnosed with lung cancer in 1962 and soon after, died at his home in Washington, D.C., on September 7, 1962. The cause of his illness was attributed to prolonged exposure to paint vapours.","brand":"Morris Louis","offers":[{"title":"8x11 image on 11x14 Paper","offer_id":26404901761,"sku":"L4474pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"24x32 image on 28x36 Paper","offer_id":26404901825,"sku":"L4474u","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/L4474.jpg?v=1635785010"},{"product_id":"jackson-pollock-number-3-1949-tiger-1949","title":"Number 3, 1949: Tiger, 1949","description":"© 2026\n The Pollock-Krasner Foundation\/ Artists Right Society (ARS), New York\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eJackson Pollock- (born Jan. 28, 1912, Cody, Wyo., U.S. — died Aug. 11, 1956, East Hampton, N.Y.) was an American painter. He grew up in California and Arizona. In the early 1930s he studied in New York City under Thomas Hart Benton, and later he was employed on the WPA Federal Art Project. In 1945 he married the artist Lee Krasner. Two years later, after several years of semiabstract work stimulated by psychotherapy, Pollock began to lay his canvas on the floor and pour or drip paint onto it in stages. This process permitted him to record the force and scope of his gestures in trajectories of enamel or aluminum paint that \"veiled\" the figurative elements found in his earlier work. The results were huge areas covered with complex and dynamic linear patterns that fuse image and form and engulf the vision of the spectator in their scale and intricacy. Pollock believed that art derived from the unconscious and judged his work and that of others on its inherent authenticity of personal expression. He became known as a leading practitioner of Abstract Expressionism, particularly the form known as action painting. Championed by critic Clement Greenberg and others, he became a celebrity. When he died in a car crash at 44, he was one of the few American painters to be recognized during his lifetime and afterward as the peer of 20th-century European masters of modern art.","brand":"Jackson Pollock","offers":[{"title":"32x19.25 image on 38x24 Paper","offer_id":26405141569,"sku":"P4369u","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/P4369.jpg?v=1634147457"},{"product_id":"mark-rothko-black-over-reds-black-on-red-1957","title":"Black over Reds [Black on Red], 1957","description":"© 1998 Kate Rothko Prizel \u0026amp; Christopher Rothko \/ Artists Rights Society (ARS), New York \r\u003chr\u003e\r\u003ch3\u003eAbout the Artist\u003c\/h3\u003eThe totally abstract paintings by Rothko did not suddenly emerge as the result of one idea. His work was the result of many years of looking at other artwork, including Greek vases with horizontal bands of figures, Native American art with its spiritual qualities, and the work of the European Surrealists. By 1949, his preferred format was an upright rectangular canvas or paper with two or three stacked rectangular forms varying in area but free of the picture edge. The colored bands, which he felt must be \"sensuous or functional,\" took on a wide range of hues to which Rothko added lightness or darkness, translucency or opacity, high or low saturation, smooth or brushy textures, and contrasts of color area.\r\rBorn Marcus Rothkowitz in Dvinsk, Russia, he immigrated to the United States in 1913 with his family. He adopted the name Rothko in 1940, and legally changed it in 1958. His work has been compared to that of his teacher and mentor, Joseph Albers, although their paintings had little in common. Albers’ work was intellectual, while Rothko’s was emotional. Increasingly, his work darkened as he grew older and his last paintings and large works on paper are simple and somber, perhaps a metaphor for his decision to end his own life.","brand":"Mark Rothko","offers":[{"title":"10x8.5 image on 14x11 Paper","offer_id":26405146689,"sku":"R2890pf","price":15.0,"currency_code":"USD","in_stock":true},{"title":"28x24 image on 32x28 Paper","offer_id":26405146881,"sku":"R2890u","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0223\/4033\/products\/R2890.jpg?v=1634909296"},{"product_id":"henri-matisse-young-woman-with-face-buried-in-arms-1929","title":"Young Woman with Face Buried in Arms, 1929","description":"© 2026\n Succession H. Matisse\/Artists Rights Society (ARS), New York\u003chr\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003eMatisse is often regarded as the most important French painter of the 20th century. As a master of supreme decoration and expressive use of color, his visionary experiments into different styles of painting from his impressionistic domestic and figurative subjects to his abstract cut-outs changed our perception of the world.Early in his career, Matisse was viewed as a Fauvist (a group of artists known as the \"wild beasts\"). His work gravitated to the beautiful and his celebration of bright colors reached its peak in 1917 when he began to spend time on the French Riviera at Nice and Vence. Matisse’s Fauvist years were superseded by an experimental period, as he abandoned three-dimensional effects in favor of dramatically simplified areas of pure color, flat shape and strong pattern.As a man of nervous temperament, he coaxed his anxious tension into serenity through painting. In his later years, Matisse moved into a period of selfless invention, creating his cut-outs carved in colored paper and sometimes collaged into vast pictures. 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